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Feature doc makers fight back against new funding disaster

No dosh at all for less than a $1m budget. There goes the feature documentary sector, even as conventional TV…

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Exit interview: Alice Burgin finds joy in changing future

With a unique overview, Alice Burgin concludes that 'good, good people with the right attitude can make huge amounts of…

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The AIDC program: pleasure, curiosity and brute realities

The Australian International Documentary Conference is headlined by the idea 'Moment of Truth.' Here are some of our favourite truthful…

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Documentary Conference CEO to leave after AIDC 2021

After four years of taking risks and trusting her instincts backed by passionate documentary makers and a determined staff, Alice…

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AIDC pitching list points to new visions for 2021

The AIDC's main pitching competition showcases Asian and South American projects which shift the North-South dialogue in global documentary.

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You like them and so do we: a sampler of favourite Screenhub stories

Between Covid and the government's determination to back the free enterprise media, the sector has had its toughest year in…

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AIDC creates its own awards, with just a touch of defiance

The deadline for the AIDC awards for completed projects is December 16, as the organisation embraces the power of competition.

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Film Review: Women of Steel documents a landmark fight for worker's rights

Documenting the 14-year campaign for women's jobs in Wollongong, Robynne Murphy's film honours dogged perseverance and collective activism.

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Film Review: Morgana gives permission for pleasure

Tracing the evolution of a middle-aged housewife into a feminist porn star, this documentary marks the welcome crumbling of divisions…

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Sonia Bible and The Witch of Kings Cross

With her occult paintings and kinky sex life, artist Rosaleen Norton caused scandal in 1950s Sydney. We talk to the…

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