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Change can be irresistible but it is never inevitable, unless it can be anchored by institutions. Hence the Screen Diversity and Inclusion Network.
From pesky foreigner to cultural hero, Bernard Bories has followed his heart and honoured the Australian screen sector. Now the love is official.
How do you grow an international audience for two larrikins and their daggy backyard humour? Valleyarm MD Mark Ashbridge talks channel management, IP protection and monetisation as we take notes.
Static mainstream as Shoplifters arrives to delight the tragics and One Cut of the Dead opens the Japanese Film Fest in Melbourne and Sydney.
Elena Ferrante's lush literary adaptation, an Australian documentary streaming service and some deep-digging true crime podcasts. Another eclectic selection from our headquarters.
Surely hi-schmick animation can be done much more quickly and much cheaper! Here is the breaking wave of change, via the Deakin Motion.Lab parked at Screen Forever.
Screen Forever adds a strand to the program about creative duos which focuses (gasp!) on the human stuff behind the puff.
Screen composer and Guild President Caitlin Yeo and filmmaker Robert Connelly honour the mysteries of their linked emotional journeys.
Moving away from the frenzied 'all or nothing' crowdfunding model, the Australian platform introduces ongoing subscriptions for podcasters, writers and gamers.
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The averages are the same but the hurt and horror is much greater as pics crater or reach for the stars. Ah, Ben Hurled...
Warners own takedown company tells Youtube to remove Warners own stuff because piracy. Heh.
Best US TV series ever? Deadwood. How do we know? Here is the answer.
UK writer assembles the creative output of Shaun Tan, revealing how little attention he gets in his native land. Us.
Considering the slippery question of truth in nature docs with a touching degree of affection.
Andrew Bolt has colourful version of ABC's internal discussions about him. He must have a giant transparent telescope.
'Although women account for two-thirds of Australia’s authors, a survey has found that almost every publication analysed reviewed more men than women last year.'
Adelaide-based producer Gena Ashwell was today announced as the inaugural recipient of Placement L.A., an annual professional
Lord David Puttnam heads an impressive international jury for the 10th Asia Pacific Screen Awards.
MIFF Accelerator, the film director professional development program held during the Melbourne International Film Festival (MIFF), has concluded its13th edition by welcoming into its glittering alumni some 29 new directors – with more than 50% of them female.
From 1650 entrants, all shot on a smartphone, the Get Reel Festival has chosen its winners.
Industry: Film / TV / Digital
Classification: Production & Technical
Classification: Business Development
Steve de Souza
Sharmill Films has an incomparable record of bringing sublime cinema to Australia, specialising in world cinema and the best in event cinema including National Theatre Live and Met Opera
Film / TV / Digital
New South Wales
Film producers John Maynard and Bridget Ikin have recently established Felix Media, to produce original screen-based works by artists.
SPA is the industry body that represents Australian independent film and television producers.
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