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Mark Grentell didn't go to film school, but teaching drama to kids and directing musical theatre in country NSW gave him good experience in the art of building creative communities.
All restraint gone as The Meg treats audiences like a cloud of burley in an underwater multiplex. Also, for the very last time, a season of Rake launches.
The bigger budget contestants at the AFI/AACTAs for 2018 are a varied bunch. The old cliche of sad films is dead, dead, dead.
AACTA observers quickly pointed out some cuckoos in the Australian film nest. But the problem is not what it seems.
Australian audiences have turned away from winsome NZ bubble of cynicism The Breaker Upperers. How dare we!
Laughter, great performers, fabulous script, pungent satire - it's the best kind of politics - a video to giggle your way towards the future..
Asian screen lobby group reveals the nuts and bolts of the evolving market, particularly in South East Asia.
Two festivals, from India and Turkey, compete with MIFF while Australian mega-doc about interstellar travel, The Living Universe, has a limited run.
Spinning gold from a piece of fluff, The Breaker Upperers harness social media to give their film another boost of publicity two weeks after its Oz release.
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Panels, Lectures & Ideas
The averages are the same but the hurt and horror is much greater as pics crater or reach for the stars. Ah, Ben Hurled...
Warners own takedown company tells Youtube to remove Warners own stuff because piracy. Heh.
Best US TV series ever? Deadwood. How do we know? Here is the answer.
UK writer assembles the creative output of Shaun Tan, revealing how little attention he gets in his native land. Us.
Considering the slippery question of truth in nature docs with a touching degree of affection.
Andrew Bolt has colourful version of ABC's internal discussions about him. He must have a giant transparent telescope.
'Although women account for two-thirds of Australia’s authors, a survey has found that almost every publication analysed reviewed more men than women last year.'
Adelaide-based producer Gena Ashwell was today announced as the inaugural recipient of Placement L.A., an annual professional
Lord David Puttnam heads an impressive international jury for the 10th Asia Pacific Screen Awards.
MIFF Accelerator, the film director professional development program held during the Melbourne International Film Festival (MIFF), has concluded its13th edition by welcoming into its glittering alumni some 29 new directors – with more than 50% of them female.
From 1650 entrants, all shot on a smartphone, the Get Reel Festival has chosen its winners.
Industry: Film / TV / Digital
Classification: Production & Technical
Steve de Souza
New South Wales
Film producers John Maynard and Bridget Ikin have recently established Felix Media, to produce original screen-based works by artists.
Film / TV / Digital
SPA is the industry body that represents Australian independent film and television producers.
The ACTF is a national children’s media production and policy hub. We help develop children’s television policy; distribute and invest in Australian children’s television series; support new, innovative and entertaining children’s media; and develop
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