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A good grabby story is the common essential, but details are different when you're developing locally or internationally.
Judy and Punch dances, Two Heads Creek splatters, while Better Days survives abrupt disappearance at the hands of Chinese government.
Diversity rules in musical styles, even between works by the same composer at the 2019 APRA AMCOS screen music awards.
Streaming contracts seem to be turning nasty, and composers are feeling the pressure internationally. Here is Caitlin Yeo, president of the Screen Composers' Guild.
Australia has not one but two awards systems to judge films from the Asia-Pacific region, from both APSA and AACTA. How do they line up?
Filmmaker Markus Stone looks at how to film without a crew by assembling a mobile travel kit of cameras, lights and sound equipment.
Spoiler alert: it's more than just heavy lifting.
The runner's job is a great starting point but success depends on organisation and learning a lot quickly.
Love it or hate it, the elevator pitch for your ideas is a key part of being a successful creative. Here’s how to get it right.
Sep 24 - Dec 01
Applications for the 2020 Screenwise Founder’s Scholarship are now open
Awards & Prizes
Oct 16 - Dec 01
This year’s program brings new perspectives in Japanese film, reviving the old and giving lesser known stories a chance in the spotlight.
Screenings, Festivals & Programs
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