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Sydney
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New residencies, new developments, new program announcements and other arts news you may have missed.
Netflix has given new life to Orson Welles's unfinished film and Adrian Martin finds it fascinating.
Relentlessly entertaining and packed with jokes, this plays to animation's strengths while retaining Spidey's iconic teen angst.
The venerable drama course at Flinders University is being restructured to remove its research side to practical courses. Educators are not amused.
Tumbleweed time in the multiplexes as the audiences prefer to trash studios by declining to attend. There is always a slump at this time of the year.
The Australian Film Institute held its first awards night sixty years ago. This year we have reached a remarkable political crescendo.
NZ On Film does Geoff Murphy proud. Really worth watching.
Mairi Cameron's psychological thriller The Second was released to little attention. Adrian Martin finds much more to like.
Blast of new high octane high confrontation and quiet delight films arrive for grownup tastes over Xmas. Will they last that long?
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Developing, implementing and managing Film Victoria's fiction development programs.
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The averages are the same but the hurt and horror is much greater as pics crater or reach for the stars. Ah, Ben Hurled...
Warners own takedown company tells Youtube to remove Warners own stuff because piracy. Heh.
Best US TV series ever? Deadwood. How do we know? Here is the answer.
UK writer assembles the creative output of Shaun Tan, revealing how little attention he gets in his native land. Us.
Considering the slippery question of truth in nature docs with a touching degree of affection.
Andrew Bolt has colourful version of ABC's internal discussions about him. He must have a giant transparent telescope.
'Although women account for two-thirds of Australia’s authors, a survey has found that almost every publication analysed reviewed more men than women last year.'
Adelaide-based producer Gena Ashwell was today announced as the inaugural recipient of Placement L.A., an annual professional
Lord David Puttnam heads an impressive international jury for the 10th Asia Pacific Screen Awards.
MIFF Accelerator, the film director professional development program held during the Melbourne International Film Festival (MIFF), has concluded its13th edition by welcoming into its glittering alumni some 29 new directors – with more than 50% of them female.
From 1650 entrants, all shot on a smartphone, the Get Reel Festival has chosen its winners.
Ainsley Pettitt
Industry: Film / TV / Digital
Classification: Production & Technical
Harry Seward
Mel Avanzado
Simon Gorman
Classification: Business Development
James Lingwood
Paul Rye
Classification: Other
Quinn Carnegie
Robert Palmer
Classification: Photography
Belinda Raposo
Classification: Writer/Journalist
Mary Verikios
Viza Sahni
Gustavo Bertran-Jimenez
Sean Lander
Dave Laycock
Classification: Artist/Maker
Riaan Laubscher
Stephanie Ouimet
John Hipwell
Mangesh Sapkal
Jay Perry
Lucinda Bruce
Melissa Oxlade
Barbra Lester
Adam Raboczi
Adam Marr
Patrick Slattery
Steve de Souza
josh smith
Sharleen Pereira
oliver tribe
Classification: Designer
Victoria
AIDC is Australia's factual film and TV industry organisation. We provide service and support and industry advocacy. Since 1987 AIDC has grown from a biennial conference with a few guests into a significant yearly event on the international calendar
Film / TV / Digital
Sharmill Films has an incomparable record of bringing sublime cinema to Australia, specialising in world cinema and the best in event cinema including National Theatre Live and Met Opera
New South Wales
Film producers John Maynard and Bridget Ikin have recently established Felix Media, to produce original screen-based works by artists.
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Western Australia
Film / TV / Digital | Audience development | Market development | New work | Presentation & Promotion | Individual | Organisation | Group | Agency
Film / TV / Digital | Skills development | Organisation | Group
Film / TV / Digital | Skills development | Individual | Organisation
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