Search Results
Film: Suzi Q is a rollicking good time
It might not be groundbreaking, but this doco has the right kind of swagger and charm to pay tribute to…
Film: The Irishman revives a chequered past
Scorsese's latest is a paradoxical object – and not just because of its digitally de-aged cast, writes Adrian Martin.
At last, the convergence of art with technology in a disruptive degree
A brand new Master Degree at UNSW Art & Design deep dives into Visualisation, Simulation and Immersive Design while smashing…
Entering the Netflix maze from Australia
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a…
Arts criticism is eroding in the digital age
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has…
Box Office: A Week of Fast Cars and Hidden Gems
This week at the Aussie box office we receive an object lesson in the disparity between commercial success and critical…
The ABC stays afloat in a 'sea of content'
As the sharks of Netflix and Disney+ circle, the Good Ship Aunty manages to repel boarders and somehow find new…
Two red carpets entice films from the Asia Pacific to Australia
Australia has not one but two awards systems to judge films from the Asia-Pacific region, from both APSA and AACTA.…
A Development Masterclass - Australian and International Perspectives at Screen Forever
A good grabby story is the common essential, but details are different when you're developing locally or internationally.
TV: Hamish and Andy's 'Perfect' Holiday
The amiable mates follow their reliable recipe for spontaneous comedy.
