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Media diversity: the awful truth about our newsrooms
New research shines the cold light of reality on who gets to tell us what's important in TV news and…
Film Review: Lowdown Dirty Criminals is loads of fun
It's not breaking ground but this NZ crime caper comedy has charm and energy, and Rebecca Gibney as a great…
IGEA overhauls talent visas, proposes labour agreement for Australian game dev
Following our report on hiring complications in the Australian games sector, we look in depth at changes to visa codes…
Box Office: Babyteeth chomps on grimly as wild old men duel for dosh
Bad Boy Russell Crowe is bankable while Mel Gibson flops as a famed art connoisseur. The young makers of Babyteeth…
Between hope and threat, children's television takes advantage of sales
As ACTF head Jenny Buckland emphasises, the sector is adaptable, is attracting new creators and sells well. It has everything…
Three South Australian filmmakers share in Lottie Lyell Award
Fiona Percival's animated series 'don't f with me' wins the major development prize, with Madeleine Parry and Allison Chhorn also…
Screenrights vs Foxtel returns to Federal Court over TV rights
How much will Foxtel pay for retransmission rights? The fight has gone to the Copyright Tribunal.
Screen Australia and Google invest $900k in Aussie YouTubers
Since 2014, the Skip Ahead initiative has supported YouTube creators with existing fanbases to reach wider audiences. This was their…
Is 2020 the year of the classy short?
What can we tell from the current crop of Australian short films in festivals?
Screen News in Brief: there is no courage without fear
'Mulan's debut on Disney+ may change exhibition forever. 'Metro Sexual' sells to US, ABC announces bushfire drama series, and Screen…
