Features
The quest to make a truly Australian game
Let's move past Australian gothic and true blue and take a look at how these game devs are approaching stories…
Coronavirus – a catalyst for better digital programming and online projects
Every day more arts organisations announce digital programming in response to COVID-19. Here's some advice on how to go digital.
How did Covid-19 force the Sydney Film Festival 2020 to shut?
For the first time in 70 years, the Sydney Film Festival will not light up the winter. The decision was…
This Week At The Box Office: Debuts falter as Coronavirus creeps
Plenty of new releases this week – but with audiences curtailed by COVID-19, the numbers aren't good.
Who is Chris Keely, the man leading Create NSW?
After a rocky three years for Create NSW, Executive Director Chris Keely says he is a stayer, and has a…
Door to Hollywood opens wider with tech inspired writers' program
Due by 21 March, US program Imagine Impact is offering an Australian intensive program for new and experienced writers. All…
Data journalism: 'wreaking havoc with data is a much more creative sport'
Lam Thuy Vo is a crusading data journalist determined to show us how we can find and use hidden knowledge…
Miss Fisher and her fans: how a small screen heroine became a global phenomenon
From a novel published in 1989 to a global hit series and now a feature film, Kerry Greenwood's flapper detective…
3 Things The Government Must Do To Save Australian Content
Streaming services are on the rise, and the government must take action or risk losing local broadcasters. Here's how.
This is who I feel myself to be - tribal visions and digital technology
Lynette Wallworth, new technology pioneer, took an AIDC 2020 audience through her latest VR work, made with the Awavena people…