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How 'Dap' developers went from zero to PAX in two years
In two and a half years, Iris and Paul Anstey went from never having made a game, to having their…
Evolving industry support for vulnerable members
When you are not earning, a small amount of help can mean a lot. The screen and performing arts philanthropic…
Box Office: Babyteeth cruises, Slim Dusty croons, and The Eight Hundred rules
After all the COVID horrors, China turns out to have the most productive market for big screen movies.
Screen's most famous bro duo to leave Shine
Banijay reshapes Endemol Shine Australia without its swashbuckling co-CEOs.
JobKeeper 2.0 for sole traders
Here's a rundown of Jobkeeper 2.0, and what the changes to the program might mean for sole traders.
NYWF 2020 brings the best of digital programming
National Young Writers Festival is going online from 1-4 October, and their program delves deep into the possibilities that digital…
Studio dreams of recovery fade as Disney and Warner try for world domination
As Tenet fails to bring hope, the safest bet for studios is to combine theatrical and streaming production in a…
The Capitol delivers a cracking weekend in the world of 'In Fabric'
A film screening, a follow-up in-depth conversation and a masterclass make for much (remotely experienced) fun.
Emmy Awards climax in the strangest ego-fest of all
Actor Sarah Snook and writer Tony McNamara were our sentimental favourites for the night, but the world is a cruel…
The good oil on Murdoch, the dark beast of our times
Rupert Murdoch gets three episodes of this BBC documentary to show us why we are like we are. We won't…
