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Box office: paws, cats and demons dominate cinemas around the world
We are in strange, strange territory in the international box office, while local crowd pleasers can't bring customers out of…
ACMI renews digital promise in virtual launch
Is the Australian Centre of the Moving Image a place? A Zone? A Cultural Accumulation Machine to defy COVID-19? First…
Children's sector confronts government, politely
The children's television sector looks like the biggest loser out of the current rebuild of the sector, and producers are…
The Time to Tell
As media cycles and social media mix the messages of our times, David Pledger argues that artists have a unique…
ACMI's Big Games Night In brings a personal touch to games week
For the first time, Melbourne International Games Week has run completely online, and ACMI have stepped up to the plate…
Winners of the 2020 AGDAs announced
The Australian Game Developer Awards ceremony streamed live on Twitch in 2020, hosted by Jordan Raskopoulos. Here is the full…
Be bold, be real, be rigorous: Samantha Lang on creativity and change in this weird moment
The writer, director and ADG President reflects on the stories we're going to need and the challenges facing the industry.
Film Review: Dirt Music has a sense of disconnection
Lovingly capturing its West Australian locations, this Tim Winton adaptation would have worked better with local lead actors, argues Sarah…
One Punch: smartphones, improvisation, tiny crews and night crowds
Darcy Yuille has worked on crews and taught camera techniques for twenty years. Here he builds an aesthetic and development…
Box Office continues dire with small rays of light
The Secret Garden looks like a gentle fantasy world for kids and adults alike as everything else melts before our…
