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TV Review: Looky Looky Here Comes Cooky is Unapologetically Black
Told through songlines and stories, this response to the colonial celebration of Captain Cook is passionate and affirming, writes First…
What We're Watching: Not-so-happy families edition
From crime families to chosen family, to recommendations from far away siblings, this month’s screen picks are shaped by the…
Feds release insurance dosh
The government's COVID-19 insurance system has now started and works under very tight rules.
Adelaide Film Festival goes physical for October
Journalist Phill Liggett, the Bangarra Dance Company and explorations of the violence of white settlement will anchor the 2020 edition…
Media diversity: the awful truth about our newsrooms
New research shines the cold light of reality on who gets to tell us what's important in TV news and…
Box Office: Babyteeth chomps on grimly as wild old men duel for dosh
Bad Boy Russell Crowe is bankable while Mel Gibson flops as a famed art connoisseur. The young makers of Babyteeth…
Three South Australian filmmakers share in Lottie Lyell Award
Fiona Percival's animated series 'don't f with me' wins the major development prize, with Madeleine Parry and Allison Chhorn also…
Is 2020 the year of the classy short?
What can we tell from the current crop of Australian short films in festivals?
Screen News in Brief: there is no courage without fear
'Mulan's debut on Disney+ may change exhibition forever. 'Metro Sexual' sells to US, ABC announces bushfire drama series, and Screen…
SAFC responds to government order: go for growth
South Australian screen support bodies keep their independence, bet on idealism and co-operation.
