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Production Design: Scott Bird's steps to a satisfying career
Designers for the screen can have an anxious but ultimately satisfying time. This is what it looks like from the…
What's happening in the SBS engine room? Vital ad revenue is slipping
SBS keeps doing inventive and lean under the policy radar but the pandemic will force it to confront an ugly…
See-Saw reveals the inner workings which will take it into our unknown future
See-Saw has some sort of magic juice which keeps it getting better and better. It turns out to be made…
How has COVID-19 affected the Australian games industry?
Let's unpack IGEA's stats on the local impact of COVID-19, and what the future looks like for the Australian games…
Screen News in Brief
A quiet week as cinemas look forward and hold breath. First peek at Dirt Music and production protocols for the…
The future of cinemagoing in a post-COVID world
COVID-19 shut down the world. Now restrictions are loosening, how will cinemas bounce back?
Freewheelers: writers room goes virtual but stays real with disability
Producer Belinda Dean and writer Emily Dash talk about their Digital Originals project and developing a character who happens to…
TV Review: Run is a sexy striptease
Vicky Jones and Phoebe Waller-Bridge's mysterious rom-com explores fantasies of reinvention and escape.
Where are they now: we chart the stories of St Kilda winners from twenty years ago
The careers of emerging practitioners can inch forward. But the subsequent adventures of the 2001 St Kilda Film Festival winners…
TV Review: The Great is a lavish bureaucratic sitcom
Australian writer-creator Tony McNamara delivers a bingeable historical farce that will delight fans of 'The Favourite'.
