Features
Who really owns Hollywood?
We analyse the quarterly and annual results of the biggest screen media production companies, and speculate on the motives of…
Media reform policy process brings sector conflicts to a head
The Green Papers sent to the Media Reform process make agreement impossible in a whirly whirly of change. This is…
The Most Anticipated Australian Games of 2021
Let's take a look at the most exciting games releasing this year, from Hollow Knight: Silksong to Dead Static Drive
More Than Words: What to watch for National Reconciliation Week 2021
Here's your chance to watch, remember, respect, and take action with some inspiring viewing options, from feature film 'My Name…
Unionisation for freelancers: why is it worth it?
Here’s what GWU Australia is doing to make freelance and precarious labourers a priority, and how people in other fields…
Behind Amazon Prime's billion dollar buyout of MGM
Amazon's approach to streaming is not really about streaming at all. It's another part of the retail giant's multi-pronged approach…
Why be a producer? Sue Maslin, Owen Johnston and Gus Howard tell all
The film industry runs on good producers, though it can be a daunting role. Screenhub talked to three veterans who…
You should play... Hollow Knight
Games & digital content lead Jini Maxwell waxes lyrical about the Studio Ghibli-inspired blockbuster Hollow Knight, made by tiny Adelaide-based…
Mental Health Watch: This Way Up, Couples Therapy and Wakefield
May is Mental Health Awareness Month, and there's no shortage of TV characters who struggle, fall and rise again. Here…
Disney and ACMI bring the magic back to winter
ACMI's first major exhibition since reopening is a crowd-pleasing blend of history, art and technology, says CEO Katrina Sedgwick about…