Features
Plucky NZ conference creates New World Order by going online
Here's the nitty gritty of running a market based conference online. Challenging, enraging and ultimately a boon, according to Doc…
What We're Watching: June
From record shops in Brooklyn to the court of a Russian Czar, to a dystopian carceral future, the office’s favourite…
SFF's online Screenability program highlights sustainable accessibility
SFF's revised virtual program contains festival favourite, the screenability stream. What does accessibility for disabled artists look like in the…
Seven Deadly Sins of Social Media for Artists
There are a wealth of opportunities when it comes to growing your social media accounts, but what are the absolute…
Is your digital pivot sustainable as core programming?
How sticky is your new digital COVID programming, and will it make that secondary pivot back into your core programming…
Nick Robinson and Jon Shaw make wildlife documentaries for people who don't care – yet
'It’s all very well to say "we need the ocean to live", but I bet most people on the street…
The first box office report in two months is here – and it's weird
Of all the the curveballs that 2020 has thrown the Australian film industry, 'Shrek' making the box office charts might…
Return of the humble drive-in
The revival of drive-ins counters isolation, drawing on the magic of cinema in the open air and pointing to a…
Nerida Moore, Screen Australia’s Head of Development, on COVID impact
While the sector is frantic to start shooting, it is also relishing the chance to develop projects. How does that…
Reconciliation is not only remembering, but advocating for change
To mark National Reconciliation Week #InThisTogether2020 we dive into our archive to share some of the meaningful conversations along the…