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New National Drawing Centre brings Australia in line with global trend
Where better than to punch out the parameters of drawing in our times than an art school? The National Art…

On screen and on stage, disability continues to be depicted in outdated, cliched ways
As we move towards greater gender and race inclusivity at work and in the arts, the representation of disability should…

What is the future of Australian screen exhibition? Hmmmm...
Kirk Edwards, CEO of Village Cinemas, lays out some key ways in which the industry will evolve after COVID-19, with…

AIDC mentorship and $25k funding for documentary videogames
State of Play offers development funding and mentorship to strengthen and showcase the collaboration between nonfiction stories and gaming technologies…

AIDC mentorship and $25k funding for documentary videogames
State of Play offers development funding and mentorship to strengthen and showcase the collaboration between nonfiction stories and gaming technologies…

Directors Guild snaps up Alaric McAusland to run the org
Alaric McAusland reveals his crusading nature which started when he was very young.

SAFC defies national film glums to reboot low budget features
The South Australian Film Corporation launches another low budget feature initiative as it glocalises content.

Box office: Surprising sheep flourishes in drought
Ghastly though the general numbers are, Rams has beaten the COVID hoodoo and is doing well, while Dirt Music hangs…

In the oddest of years, which films dominate the AACTAs?
The feature film doomsayers are forced to retreat in confusion once again as lower budget pearlers lock horns with modestly…

Film review: Never Too Late is manic by the end
Never Too Late is packed with a popular local cast. The box office will be a litmus test for a…