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Screen News in Brief: Australia's summer films catch fire, doco funding announced and more
We're heading back to cinemas; Causeway's supernatural horror comes home from Serbia; and awards, opportunities and opinions abound in this…

Diverse screen producers, apply for these 2021 opportunities now
Here’s a roundup of opportunities in 2021 for LGBTQIA+, POC, Indigenous, Disabled, and gender diverse screen producers. Applications open now.

AIDC creates its own awards, with just a touch of defiance
The deadline for the AIDC awards for completed projects is December 16, as the organisation embraces the power of competition.

TV Review: Dom and Adrian 2020 is the quick comedy conclusion the year deserves
The Bondi Hipsters return with 33 solid minutes of rapid-fire fun, says comedy connoisseur Anthony Morris.

AWGIES 2020 bow down to a one-woman theatre show
Suzie Miller's quietly spectacular international career in theatre, informed by an education in science, law and theatre, adds a prime…

The Tourist brings biggest TV production to South Australia
The re-announcement of the Stan/BBC One series from the producers of Fleabag gives government a chance to tout their boosted…

Best videogames from Australia and Aotearoa in 2020
In a year defined by isolation, protest, pandemic, and uncertainty, these games galvanised us, fostered solidarity, and provided comfort.

Box office: Australia's reputation depends on Babyteeth's world streamers
How much did the AACTAs win push Babyteeth, after the glow of glory died? Rams passes the woolly $4 million…

Is it wrong to make a film about the Port Arthur massacre?
Is it too soon to make a film on the 1996 Port Arthur massacre? A trauma expert's perspective.

The AACTAs in viral times: some reflections with a touch of history
As the publicity caravan moves on, we can sense the longer term influences which shaped this year's AACTA results.