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Kyoto Animation Studios torched, many dead
Set up by women, run humanely, loved for its stories, the Kyoto Animation Studios has been engulfed by the world's…
ABC: Mad as Hell makes enemies Happy as Heaven
The back room people at the ABC load up hundreds of pieces every day. Then they make a single mistake…
Funding Enterprise: An Interview with Screen Australia's Nerida Moore
The agency's new(ish) Head of Development gives tips for applicants wanting a slice of the Enterprise Funding pie.
ICYMI: rounding up the week’s arts news
Next M Pavilion design unveiled, Melbourne Art Fair shifts gears again, NSW Shadow Arts Minister warns not to overlook Australian…
TV Review: Lambs of God is perversely life-affirming
Eccentric nuns defend their way of life with devilish consequences, in Foxtel's new mini-series adaptation. Chris Boyd says it pays…
Film Review: The White Crow flies high
Ralph Fiennes' directs this Nureyev biopic with visceral vim, resisting the usual cliches about creativity and identity.
Film Review: The Lion King Faintly Roars
A stunning technical achievement, this photo-realistic Disney remake fails to convey the powerful emotions of the story.
MIFF 2019: sessions for the screen community
Acting coach Miranda Harcourt, script consultant Bobette Buster and recent feature favourite Emma Booth lead the hunt for insights in…
Prototype: A utopian experiment for short films and video art
Critic and curator Lauren Carroll Harris is creating a new space for art on Australian screens.
Courtney Gibson to leave SAFC
Organisational and policy dynamo Courtney Gibson will leave a significant hole in the South Australian Film Corporation when she leaves…
