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TV: More style than '#Content'?
'Content' is ABC's latest comedy project, all told via mobile interface. Is this innovative or just gimmicky?
James Woolley and a decade of tumult at the Sydney Film Festival
Sydney Film Festival marketing head leaves a few reflections as he jets off to his new job at the world's…
Chinese government beats industry into shape, seems to win
While the world screen industry wrestles with change, the Chinese sector is dancing with an octopus. And everyone is learning…
Big Screen Highlights - Fest pleaser Animals arrives along with Italians galore
Palace's flagship Italian Film Festival is days away, Downton Abbey is calling the fans, and Animals, possibly an Australian bestie…
The Trespassers: From Page to Screen
Meg Mundell's latest novel has been picked up for a big TV adaptation. What does this mean for the writer…
How videogames can work towards a more accessible state of play
Redressing a tendency to marginalise disability in games requires an awareness of disability at a design level.
TV Review: Ramy is must-see TV
Five months after its US premiere, Ramy – 'the best show not on Australian television' in Chris Boyd’s rarely humble…
Film Review: The Wild Top End is a 3D expedition worth taking
Nick Robinson's latest environmental documentary puts the iMax screen to stunning use as it celebrates the Australian landscape.
Animals director Sophie Hyde on character, rehearsal and bestie power
What happened when Sophie Hyde and Closer Productions ended up shooting a co-pro in Dublin? And why did the writer…
Box Office 10 September: One big scary clown and some small Australian films
IT: Chapter Two goes out wide, The Nightingale sings quietly together with Angel of Mine, The Australian Dream, Danger Close…