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Screen Australia engages with a sector on fire
The production investments since Covid really struck may be a short list, but we should sense the power rather than…
Box Office: High Ground comes through, signals sector success
Yes, Australian audiences do like Australian films, as High Ground, the toughest of the new releases, makes a solid entrance.
Flickerfest launches new winners onto festival circuit
Run this year in the Famous Spiegeltent, Flickerfest puts a bunch of new short films before the public eye. They…
Robots were dreamt up 100 years ago – why haven’t our fears about them changed since?
The world's first robots, created by playwright Karl Čapek, appeared on a Prague stage in January 1921. This long read…
James Bond has been delayed yet again – here's why this is such a blow to the franchise
The James Bond franchise shows a sector in disarray, and its fabulous power to prevail.
Occupation: Rainfall hits the climax of a cinematic crusade
In the search for filmmakers addicted to genre, the Australian screen sector has its fingers crossed for Occupation: Rainfall. We…
News in Brief: the Arts honoured, most anticipated films, AIDC and Screen Forever programs
AIDC CEO moving on after this year's conference; Big Ant Studios sold to French company; narrative designer callout, and Aussie…
Australia Day Honours List 2021: we find treasure
From new forms of media to honouring elders, this year's award list is muted but touched with joy and melancholy.
Box Office: Australian share of market now at 20%
The Dry and Penguin Bloom have now turned into a Demon Duo, turning heads in the multiplex foyers to local…
Screen Forever program now available, and it is lean and clever
Under the pressure of the pandemic, Screen Producers Australia has put together a tight, pungent program for its belated 2020…
