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Returns dropped by $2m this weekend, all from the non-blockbuster pictures. We try to prove that election night is to blame.
She remembers a time before TV was cool, but persistence built this writer's career and it's taking her far.
The screen sector made one last attempt to get certainty from the parties. The results are clear, sad, inspiring and foggy, sometimes at the same time.
From unpaid artists to Election policies, Museum Week wisdoms, coups in the festival sector, and grant rounds announced ... it's been another big week for the arts.
Ten brings back ensemble melodrama with Five Bedrooms, satire is not dead on the ABC, plus a beautiful short film and more.
Named after an obsolete board game, Ludo has become an internationally financed supplier of kids' shows - all powered by its unique, whimsical style.
Fighting a tide of respectful reviews, Adrian Martin finds much to loathe in this historical epic, including 'one of the worst directed action sequences in cinema history.'
Keanu Reeves brings soulful gravity to this consistently thrilling ballet of blood.
Acute Misfortune recreates the relationship between avant-grunge artist Adam Cullen, his biographer and a haunting feast of outrageous lies.
As a film critic for The Australian, Evan Williams spoke to the tastes of a generation. But there was much more to his life in both politics and government.
The Sydney Film Festival will flourish because of its value amongst the behemoths, say Peter and Sharon Ivany who are major donors.
Michelle Rowland, shadow minister for communications, has a plan to blow up the logjam of media and funding policy which has driven the sector spare for the last six years.
Top End Wedding still doing okay quietly munching in the audience grass. But it is not an obvious show pony.
With the launch of the ALP arts policy, we now know the party's approach to the screen sector. Actual money and a real enquiry.
Grace Boschetti brings a youthful eye to Screenhub. What is she aching to see at the Sydney Film Festival?
Producer Lyn Norfor wrangled AFTRS students recording the event and wrote an inside account of growing change.
At MIPTV, quality matters, attendance down, changes coming, observes ACTF International Sales Manager, Roberta Di Vito.
Technology use is leading a wellness revolution and more authentic place making according to speakers at REMIX Sydney.
The criticism plaguing VR is that while it is great technology the content is dismal. Artists are pushing the form through new commissions at ACMI.
Juggling a creative career with irregular work and income is challenging at the best of times, but what happens when you have kids? Fiona Harris shares her secrets.
A panel of experts offers five lessons in leveraging your networks and finding alternative funding streams in order to grow sustainability in regional arts.
Sound designer Liam Egan gives a uniquely sonic perspective on working with Warwick Thornton and Freda and Erica Glynn in this contribution to a book of essays devoted to the talented family.
Bringing the video game of the same name to the screen, this all-ages adventure serves up anarchic fun.
In a culture full of clashing politics, this warm inclusive homecoming comedy feels radical, says Mel Campbell.
Big in scale and emotion, this eagerly awaited sequel to Infinity War packs a sizeable (but safe) punch.
Sebastián Lelo's remake of his 2013 film is lighter, funnier and more subtle in its depiction of a woman's mid-life search for love.
Australian auteurs relish Tropic Gothic as it confronts flesh, memory and the blurred promises of sexuality. Adrian Martin examines Celeste and the work of Ben Hackworth.
He's new to Netflix but Lilley's latest comedy doesn't move far beyond poo jokes. Anthony Morris is not a fan.
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