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Shark movie triumphant? Not exactly. Theory is that it lacks gore because it had to be kept as a PG due to budget.
Latest News
Netflix is drawing the local screen sector into its web. Here's some field notes on the evolving engagement.
Cinefest Oz is just five days away, and four teams and four teams will be sweating out their head to head battle for $100,000.
Melbourne production company Princess Pictures has recruited the ex-Film Vic CEO as Managing Director.
Mark Grentell didn't go to film school, but teaching drama to kids and directing musical theatre in country NSW gave him good experience in the art of building creative communities.
All restraint gone as The Meg treats audiences like a cloud of burley in an underwater multiplex. Also, for the very last time, a season of Rake launches.
The bigger budget contestants at the AFI/AACTAs for 2018 are a varied bunch. The old cliche of sad films is dead, dead, dead.
AACTA observers quickly pointed out some cuckoos in the Australian film nest. But the problem is not what it seems.
Australian audiences have turned away from winsome NZ bubble of cynicism The Breaker Upperers. How dare we!
Laughter, great performers, fabulous script, pungent satire - it's the best kind of politics - a video to giggle your way towards the future..
Asian screen lobby group reveals the nuts and bolts of the evolving market, particularly in South East Asia.
Two festivals, from India and Turkey, compete with MIFF while Australian mega-doc about interstellar travel, The Living Universe, has a limited run.
Spinning gold from a piece of fluff, The Breaker Upperers harness social media to give their film another boost of publicity two weeks after its Oz release.
Three key organisations in the screen and theatre sectors unite to lay out the rules for a safe workplace, and confront hostile public opinion.
One hundred years ago, Lottie Lyell made a feminist film in South Australia. Now there's a $20,000 award in her honour female filmmakers working in the state. Also open for applications, the Natalie Miller Fellowship.
Why has Skyscraper done so well in China? We reckon The Breaker Upperers will quietly rake in money for some time - but are we right?
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A short documentary by filmmaker, Vonne Patiag, explores the experiences of actors of colour and how they feel about their physical representation on screen.
Carriageworks Director, Lisa Havilah says that building long-term relationships with artists, and ensuring they have a purpose, is key to the sustainability of an institution.
In 2011, Anne Richey interviewed Hugh Stuckey, who provided a gallop through his life story starting as a four year old tap dancer. Seven years later it is a fitting obituary.
Tasmanian artists are increasingly exploring themes which speak to contemporary life, including the island's history of protest and activism.
Steeped in culture, Screenhub's new journalist reckons that Phryne Fisher is the closest thing we have to a superhero. How does she claim her right to the red carpet and the silver screen?
Network Ten's swift decision to dump the rebooted Roseanne shows rare leadership, demonstrating that, for some, there is a clear line even money can’t cross.
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Nicolas Cage is at his unhinged yet earnest best in this lurid, ultra-violent, unforgettable revenge tale.
This poetic Australian documentary takes its own astonishing, heartbreaking path through the global refugee crisis.
Alicia Vikander and James McAvoy play yearning lovers in a film about everything.
Naff French film by director Lorraine Levy avoids the caustic humour of earlier versions of Dr Knock.
In its sixth film in 22 years, the Mission: Impossible franchise cements its place as Hollywood's most reliable action franchise.
Denzel Washington makes his first sequel in this vigilante effort, but The Equalizer 2 only slightly improves on its predecessor.
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