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Our fortnightly roundup of news, plus stories you might have missed.
The union, which is made up of 85 employees, is a watershed moment for tech companies – and an exciting step forward for screen producers who rely on crowdfunding.
Women in Film and Television offers a three-month mentoring program for female identifying screen practitioners.
An interview with the actor who plays the closest thing we have to an Australian superhero.
The documentary filmmaker behind 'Gayby Baby' and 'In My Blood it Runs' explains a truly collaborative and consultative approach with big impacts in mind.
Honed by work in Australia, Silver Trak Digital is building an Asian hub to support cultures to preserve their audio-visual heritages.
Almost a third of Australians have been to the movies in the last four weeks, according to a recent research report.
Series Mania, running in Lille at the end of March, lines Australian series up against the world.
A latish addition to the AIDC international guest list is Myleete Aga, the director of content for Southeast Asia and Australia. She will be a key part of the market strand.
The Reuters Institute annual survey on digital news covers covers 75,000 news users in 38 countries who were polled in January 2019.
How would you describe home? A new AR project through RMIT is looking for rare and untranslateable words about place and belonging
Indy producers are copping a belting in the UK, and research shows you how.
Expanding a UK business model, Krempelwood bids to back broadcasters in Australia by funding shows with media buyer money.
Rachel Okine is observant, strategic and numerate. Can she harness the energy of a screen generation in its prime?
Tight, inspiring initiatives in comedy, series and mobile. And Queer Screen's Mardi Gras, Transitions, Women in Film and a sadly treated film about happiness.
What's going on behind the scenes at the Australian International Documentary Conference? Here's a glimpse of the working parts through CEO Alice Burgin.
Bringing Undertow to the cinemas is a ten year labour of love and patience. Producer Lyn Norfor takes us from development to the last financial obstacle.
Let's dive into what Amazon Prime, Disney+, Stan, and Netflix have in store for the third month of this utterly chaotic year.
Let's take a look at the films topping the box office this week, from stirring docos, to the usual dog and hedgehog show.
In this column, our office shares what they've been watching and listening to, from classics, to blockbusters, to off-the-wall favourites.
This week in the box office, an object lesson in the value of perseverance in the face of underwhelming beginnings.
Australian filmmakers have something for everyone, however swooning or cynical you might be feeling.
A fistful of narratives converge in a searing portrait of absurd and brutal immigration policy.
It's not a prestige drama or an outright parody, which makes critical assessment tricky, says Mel Campbell.
Jess Johnson and Simon Ward’s exhibition combines virtual reality, textile works, and retrofuturistic aesthetics.
First-time filmmaker Hamish Bennett has created a gently humorous story about finding strength in yourself through those around you.
Director Kasimir Burgess creates a surprising portrait of the controversial but celebrated cartoonist.
Refreshingly earnest, this warm and playful family film caught critic Mel Campbell by surprise.
Not drowning, evolving. In heavy seas Apple goes into the life jacket business, making its money from wearables like the watch and headphones.
'Then he mentioned that I have been awarded by non-Iranian film festivals and that foreign audiences clapped for me; they are the enemies of the state and therefore I’m an enemy of the state.'
Private company handles industry collections function. CEO goes quiet. Money stops. What could be up?
AI can now make (short) realistic video clips from nothing. Next stop, the Prez weeping and resigning on twitter, all done by code, none of it true.
Feed your paranoia with actual proof, including easy-to-read graphs.
A thorough roundup of developing Chinese assault on US manufacturing. As we globalise, the system is having a fit.
From the West Wing through Friday Night Lights, Enlightened and The Leftovers, this list is great but very US-centric.
Slamdance, Israeli shorts and Richard Frankland will spice up the short film festival, held this year from June 21 to 30.
Specialist internation film fests can be uniquely wonderful. Fest 2019 at Espinho in Portugal focuses on emerging filmmakers and has added a book fair as well.
In 2019, Talent Camp returns in search of new talent, new perspectives and new voices that reflect the richness and depth of contemporary Australian society.
Claudia Karvan, Lily Sullivan and Barry Otto are among the high profile new cast to join the Stan Original/Aquarius Films comedy series.
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