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Hotel Mumbai has not picked up while the palpable sense of horror about Christchurch remains. But the US could do much better.
This sequel retains the mile-a-minute comedy, action and first class animation of the first. So why the muted fanfare around its release?
An unsparing and unflinching portrait of a damaged crusader.
In one historic deal, the cheerful mouse of Disney now looks like a really fat rat. But rats are great survivors, the environment is brutal and evolution has cruel rules.
Expanding on Rosie Jones' 2016 documentary, this 3-part ABC series digs deep into the nature of evil and how society permits it.
The Cult of the Family, Ricky Gervais' After Life and Esther Perel's Where Should We Begin? are among our picks this week.
The ABC's Head of Scripted talks about the challenges of scheduling a new 30-part drama. Call it soap if you want, she says, just watch it.
The story of Netflix in Brazil is a partial template for emerging countries, and collides with dangerous political territory.
Hotel Mumbai makes a medium splash for a small picture, as Captain Marvel dips but continues to dominate.
Prosperity for sole trader artists is about some business knowledge pumped up with a good dose of empowerment. Enter Monica Davidson, expert and veteran.
Key wildlife cinematographer John Brown has two superpowers - he cherishes his friends and has a rare brain condition called synaesthesia.
'We went home, tightened it, practiced and practiced and practiced, and then forgot it all when we delivered it!’ - Isaac Elliott.
Hotel Mumbai is one of the most promising films on the Australian slate, as a well crafted commercial film with heart and ideas. The annual Alliance Francaise fest is up and running.
Participant Media is a key company in progressive indie US production, and Diane Weyermann is a core changemaker.
Backed by the might of the Canadian National Film Board's commitment to digital experiments, First Nations filmmaker Lisa Jackson tests the medium through her culture.
Without an an ounce of amusement, this bleak and confronting Australian film commands the audience to watch — or walk out.
Juggling a creative career with irregular work and income is challenging at the best of times, but what happens when you have kids? Fiona Harris shares her secrets.
A panel of experts offers five lessons in leveraging your networks and finding alternative funding streams in order to grow sustainability in regional arts.
Sound designer Liam Egan gives a uniquely sonic perspective on working with Warwick Thornton and Freda and Erica Glynn in this contribution to a book of essays devoted to the talented family.
Netflix’s local content level has fallen from 2-2.5% to 1.6% (82 Australian titles out of 4,959) since 2017.
Australian children’s television consistently punches above its weight on the international stage, but remains in a policy limbo.
A year in, ArtsHub speaks with the National Sound and Film Archive’s new CEO on how exhibitions and digitisation are necessary to grow a living, accessible collection.
Director Vidal-Naquet's Sauvage is a strong disturbing and uncompromising showcase for its star Félix Maritaud.
Adrian Martin ponders Eastwood's latest film, The Mule, in the context of a long and varied career.
An unforgettable movie that brings terrorism to shockingly vivid life, but needs more story-shaping.
A muddled Australian thriller promising female empowerment but inviting a misogynist conclusion.
Lesbian femme POC strip night resurrected in archival film Shakedown.
Adolescent love breaks the rules of a conservative African culture.
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