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Mark Montefiore of Letterkenny and Bad Blood has a unique mind and a feel for starting small and REALLY maximising value.
Short, snackable, raw. Here are the takeaway bites on our plate right now.
In a shock announcement from the Morrision Government, the department of Arts and Communications will be incorporated into 'super department' including infrastructure, transport, and regional development.
The Australian Production Design Guild annual awards cover the whole range of production design. There's a lot to like.
This year's night of nights was full of surprises with an air of inevitability and a certain unexpected range of glory.
eOne has a lot to say about the screen industry's key problem - how to do niche, nuanced, excellent and modestly budgeted?
Producer Lee Matthews has been watering the seeds of diversity with a short script competition. This is what happened.
The rising director talks about the challenges of documenting his hometown, and the mammoth race that obsesses him.
Replacing Claire Dobbin is philanthropy expert and social entrepeneur Teresa Zolnierkiewicz.
First winners announced. More to come on Wednesday night with the televised ceremony.
Each year the Australian International Documentary Conference links promise with experience in new ways.
Finding her way to a film career through a love of street art, this director gives good advice to others lacking the confidence of traditional pathways.
The death of Martin Armiger in his French paradise, surrounded by love, brings peace but a huge sense of loss.
The Stella-winning novel, inspired by Heide artists, will be a UK/Australian co-production between See Pictures and Apogee.
Politics seeps into everything this week, from dystopian drama to Briggs' music video and a fun little Donut game.
Witty, thoughtful, totally self-confident, a champion both of popular culture and serious criticism, a citizen of the world and a walking bag of us, Clive James has finally gone silent.
This week in the box office promises old school mysteries and frosty adventures. How did Australian films do?
The holidays are coming around, and we're ready to kick back and relax. Let's look at what's on while you're off.
Screenhub caught up with digital environment designer Su-Yiin Lai to talk about the speculative architecture, videogames, and working between disciplines.
Matchbox Pictures has a grand gala night in New York.
Screenhub brings you this week's box office biz, from stoned teens to snow queens.
The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure.
Upright is such a developed and fully-formed work, writes Chris Boyd, it’s hard to believe it’s not an adaptation of a grand work.
Scorsese's latest is a paradoxical object – and not just because of its digitally de-aged cast, writes Adrian Martin.
It might not be groundbreaking, but this doco has the right kind of swagger and charm to pay tribute to the woman at its core.
The amiable mates follow their reliable recipe for spontaneous comedy.
Adam Driver leads a star-studded cast in this tense deep dive into the CIA's history of torture tactics.
Emu Runner is a quiet film of a child dealing with grief and her bond with the emu, nguri told with the Ngemba girl from Brewarrina in NSW.
Not drowning, evolving. In heavy seas Apple goes into the life jacket business, making its money from wearables like the watch and headphones.
'Then he mentioned that I have been awarded by non-Iranian film festivals and that foreign audiences clapped for me; they are the enemies of the state and therefore I’m an enemy of the state.'
Private company handles industry collections function. CEO goes quiet. Money stops. What could be up?
AI can now make (short) realistic video clips from nothing. Next stop, the Prez weeping and resigning on twitter, all done by code, none of it true.
Feed your paranoia with actual proof, including easy-to-read graphs.
A thorough roundup of developing Chinese assault on US manufacturing. As we globalise, the system is having a fit.
From the West Wing through Friday Night Lights, Enlightened and The Leftovers, this list is great but very US-centric.
Slamdance, Israeli shorts and Richard Frankland will spice up the short film festival, held this year from June 21 to 30.
Specialist internation film fests can be uniquely wonderful. Fest 2019 at Espinho in Portugal focuses on emerging filmmakers and has added a book fair as well.
In 2019, Talent Camp returns in search of new talent, new perspectives and new voices that reflect the richness and depth of contemporary Australian society.
Claudia Karvan, Lily Sullivan and Barry Otto are among the high profile new cast to join the Stan Original/Aquarius Films comedy series.
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