In the know? Seen a great show? Think you have a better idea?
Hit the contribute button now to share your story
Become a Student member
Become a screenhub member
Do you want to drive awareness of your event to an engaged audience?
Do you want access to a ticketing solution?
Now you can do both on screenhub.com.au
From a fighting nurse and the majesty of rivers to a dynamic duo of New Zealanders, here is some news to gladden our hearts.
Despite remarkable resilience, Australian indie cinemas are desperate for the government to solve a problem caused by the collapse of the international supply chain.
Edmond Tran joins Screenhub bringing more than a decade of experience in screen culture.
Ten was plucked from the boneyard by CBS two years ago. Now we know that its US owners will connect it to streaming. But Disney gets more powerful as well.
Film Victoria have announced $550k in funding across ten Victorian games through their Assigned Production Investment - Games program.
Mardi Gras goes to Sydney Cricket Ground for safety, two live action series for ABC Kids, and conferences, festivals, opinions and more.
Neither the government nor Facebook has fought quite this kind of battle before. No matter who won, Facebook looked pretty ludicrous as it whacked innocent parties which included the screen sector.
After postponing in 2020, the inaugural AWFF is set to launch in 2021 spearheaded by artistic directors Tahyna Macmanus & Kelly Tomasich.
An ordinary US film hits number one, while The Dry pushes for $20m and The Furnace snorts back into view.
There will be a lot of hard tussling over the proposed reinvention of the sector in 2021. Screen Forever offered a taste of the issues.
With a unique overview, Alice Burgin concludes that 'good, good people with the right attitude can make huge amounts of change.'
In two Screen Forever sessions, some key buyers in factual and scripted talked about what's rating and the gaps they're looking to fill.
The Emerging Screenwriters' Incubator will be run in partnership with screen bodies, providing 18 diverse screenwriters with employment in top notch Australian production companies over the next three years.
The restrictions on sharing news on Facebook in Australia come in response to the proposed News Media And Digital Platforms Mandatory Bargaining Code.
The US creator of TV's 'The Magicians', 'You' and 'Supernatural' talked power and intensity, while in another session local players Leigh McGrath, Stephen M. Irwin and Jeffrey Walker added their Australian experience.
Ian Richter was 'a generous and gentle soul who loved the world and all its riches', according to Michelle McGahey in her obituary for the Australian Production Design Guild.
Sam Cotton's cute 'Ani-mates' won the $15,000 TikTok pilot pitch comp at Screen Forever, but across several panels we heard from creators and execs about how to engage in less than a minute.
Writer/Director Josh Tanner sat down with the CEO of Dreamscreen Australia and the head of Epic Games’ LA Lab on a Screen Forever panel about the future of virtual post-production.
Right now, local films and the local industry are showing confidence in the market and cinema audiences. By contrast, writes Stephen Gaunson, the Hollywood studios are panicking.
The Facebook news ban is being lifted but what did the shutdown mean for small arts organisations and publishers who relied on the platform to build audiences?
Now in its tenth year the documentary festival with a positive spin goes virtual. We talked to director Daniel Simons about the program and his latest reasons for hope.
The Dry, Penguin Bloom, kdramas, cartoons and more, in this month's roundup of what the office is watching.
Firestarter: The story of Bangarra is about to be released in cinemas. Sarah Ward saw it as part of the Brisbane International Film Festival last October.
Spinning off from a Fresh Blood pilot, this comedy mocks the pretensions and self-righteousness of youth, and though the characters are awful they're not awful to watch, says Anthony Morris.
A deeply human love story about a trans deaf man and a queer musician. Naavikaran honours this independent film's ambitions, but questions some casting decisions.
Josh Lawson's time travel rom-com has charming leads and a gripping premise, but Mel Campbell wishes for a riskier script.
Three generations of a family grapple with living and dying on their own terms. Reviewer Mel Campbell found disconcerting shifts between hijinks and heartbreak.
Strong performances and well-developed characters ground this lush ABC series about mismatched foodies in the Adelaide Hills.
Not drowning, evolving. In heavy seas Apple goes into the life jacket business, making its money from wearables like the watch and headphones.
'Then he mentioned that I have been awarded by non-Iranian film festivals and that foreign audiences clapped for me; they are the enemies of the state and therefore I’m an enemy of the state.'
Private company handles industry collections function. CEO goes quiet. Money stops. What could be up?
AI can now make (short) realistic video clips from nothing. Next stop, the Prez weeping and resigning on twitter, all done by code, none of it true.
Feed your paranoia with actual proof, including easy-to-read graphs.
A thorough roundup of developing Chinese assault on US manufacturing. As we globalise, the system is having a fit.
From the West Wing through Friday Night Lights, Enlightened and The Leftovers, this list is great but very US-centric.
Slamdance, Israeli shorts and Richard Frankland will spice up the short film festival, held this year from June 21 to 30.
Specialist internation film fests can be uniquely wonderful. Fest 2019 at Espinho in Portugal focuses on emerging filmmakers and has added a book fair as well.
In 2019, Talent Camp returns in search of new talent, new perspectives and new voices that reflect the richness and depth of contemporary Australian society.
Claudia Karvan, Lily Sullivan and Barry Otto are among the high profile new cast to join the Stan Original/Aquarius Films comedy series.
Become a member this month and save 20% off your Annual ArtsHub Membership.
For less than $2.30 per week now is the best time to join Australia’s largest arts network.