In the know? Seen a great show? Think you have a better idea?
Hit the contribute button now to share your story
Become a Student member
Become a screenhub member
Do you want to drive awareness of your event to an engaged audience?
Do you want access to a ticketing solution?
Now you can do both on screenhub.com.au
Benjamin Zeccola, CEO of Palace Cinemas, reflects on the evolution of the exhibition side of the tightly knit family enterprise.
ACMI's first major exhibition since reopening is a crowd-pleasing blend of history, art and technology, says CEO Katrina Sedgwick about 'Disney: The Magic of Animation'.
The game was refused classification in March 2021, but the decision was successfully challenged by Estonian developer ZA/UM.
Two of Japan’s most prominent videogame companies had drastically different fiscal years, with Square Enix breaking records and Sega Sammy struggling.
Our weekly wrap of news, reviews, interviews and opinions, from budget analysis to a chat with Mortal Kombat's director and podcast recommendations for Strong Songs.
Experienced television professional Natalie Edgar will cross over from the ABC to SBS as Channel Manager, SBS and SBS VICELAND.
Eyeballs are already on the first web series to be funded by both Screen Australia and Film Victoria for TikTok.
The South Australian Film Corporation (SAFC) and Stan have partnered up to offer SA producers funding and funding matching in creating new original scripted series in South Australia.
Ubisoft, the videogame publisher known for Assassin’s Creed and Tom Clancy’s Rainbow Six, has recorded its highest-ever sales in the last year.
EA's numbers are slightly down from last year, but its lauded free-to-play shooter Apex Legends has broken records.
Five Australian online productions have shared $1.3 million in funding from Screen Australia, including a YouTube series about Australia’s fabled emu war.
The 2021-22 budget costs the tax rebate changes and provides useful piecemeal support to fix the Covid blow, but government broadcasters are snubbed again.
The national broadcaster will soon ask you for your personal details in order to continue using its on-demand video service.
Streaming service 10 All Access is being replaced by Paramount+, and getting an injection of new local and international content.
Victoria’s creative industries will see some relief in the form of a $288 million investment from the State Government in 2021/22.
Yet again, the audience is telling the sector that local is best when it comes to marquee names. Pity the bankers don't get it.
Director Simon McQuoid recounts how he found himself directing a video game adaptation he didn't want, and how the film found itself pioneering large scale production in Adelaide.
Content director George Dunford enthuses about Strong Songs, the goofy music podcast that unpacks the method behind the hits.
Is a $500k minimum spend punishingly high? Is a 30% offset enough? What's different for film and TV? Game developers, welcome to the fight for federal screen support.
Ring of Pain is one of Australia's recent videogame successes, thanks to FIlm Victoria and Humble Games. But Simon Boxer's road to this point has been long.
Making a living is tough for creatives, but residuals can be a long term income source. Now the streaming companies want to kill the whole idea.
The host of ABC TV’s new weekly arts program promises to be much more than just a talking head.
Housemarque's foray into the roguelike genre feels like the natural progression of their high score-chasing arcade roots, writes Chris Button
This adorable redux offers plentiful opportunities for cuteness, but not imagination, writes Jini Maxwell.
Warm, wise and playful, this polished debut features yet another great performance from Noni Hazlehurst, says critic Mel Campbell.
A drunken Australian step-cousin of 1970s European and American cinema, Parish Malfitano's debut is a rich minestrone stew of cinephilic allusions, says Adrian Martin.
Peter Helliar's family sitcom is unashamedly mainstream, a rare stayer with solid comedy cast and cozy, reliable characters.
Writer Glen Dolman and director Luke Eve use the structure of a Manic Pixie Dream Girl rom-com to tell a story of mental illness, with mixed results, says Mel Campbell.
Not drowning, evolving. In heavy seas Apple goes into the life jacket business, making its money from wearables like the watch and headphones.
'Then he mentioned that I have been awarded by non-Iranian film festivals and that foreign audiences clapped for me; they are the enemies of the state and therefore I’m an enemy of the state.'
Private company handles industry collections function. CEO goes quiet. Money stops. What could be up?
AI can now make (short) realistic video clips from nothing. Next stop, the Prez weeping and resigning on twitter, all done by code, none of it true.
Feed your paranoia with actual proof, including easy-to-read graphs.
A thorough roundup of developing Chinese assault on US manufacturing. As we globalise, the system is having a fit.
From the West Wing through Friday Night Lights, Enlightened and The Leftovers, this list is great but very US-centric.
Slamdance, Israeli shorts and Richard Frankland will spice up the short film festival, held this year from June 21 to 30.
Specialist internation film fests can be uniquely wonderful. Fest 2019 at Espinho in Portugal focuses on emerging filmmakers and has added a book fair as well.
In 2019, Talent Camp returns in search of new talent, new perspectives and new voices that reflect the richness and depth of contemporary Australian society.
Claudia Karvan, Lily Sullivan and Barry Otto are among the high profile new cast to join the Stan Original/Aquarius Films comedy series.
Become a member this month and save 20% off your Annual ArtsHub Membership.
For less than $2.30 per week now is the best time to join Australia’s largest arts network.