Features
Is MIPTV worth the money and time? A children's TV expert responds
At MIPTV, quality matters, attendance down, changes coming, observes ACTF International Sales Manager, Roberta Di Vito.
From the archives: The Octopus in the Bathtub
Cinematographer Meg White has turned her anguish into art talking about her anxiety She hopes that talking more openly about…
Wellness as the new disruptor
Technology use is leading a wellness revolution and more authentic place making according to speakers at REMIX Sydney.
Artists take VR to the next level
The criticism plaguing VR is that while it is great technology the content is dismal. Artists are pushing the form…
Creative life after kids – how to make it work
Juggling a creative career with irregular work and income is challenging at the best of times, but what happens when…
35,000 Feet Away: the sound of planes over Alice Springs
Sound designer Liam Egan gives a uniquely sonic perspective on working with Warwick Thornton and Freda and Erica Glynn in…
Local film & TV makes up just 1.6% of Netflix’s Australian catalogue
Netflix’s local content level has fallen from 2-2.5% to 1.6% (82 Australian titles out of 4,959) since 2017.
Why it’s time to end the policy limbo threatening Australian children’s TV
Australian children’s television consistently punches above its weight on the international stage, but remains in a policy limbo.
Jan Müller on how a sound and film archive can be relevant
A year in, ArtsHub speaks with the National Sound and Film Archive’s new CEO on how exhibitions and digitisation are…
Makeup, lighting, and the misrepresentation of skin colour on stage and screen
A short documentary by filmmaker, Vonne Patiag, explores the experiences of actors of colour and how they feel about their…