Features
How does Palace Cinemas see itself?
Benjamin Zeccola, CEO of Palace Cinemas, reflects on the evolution of the exhibition side of the tightly knit family enterprise.
Have you listened to... the Strong Songs podcast?
Content director George Dunford enthuses about Strong Songs, the goofy music podcast that unpacks the method behind the hits.
Simon Boxer's personal Ring of Pain: The long road to games success
Ring of Pain is one of Australia's recent videogame successes, thanks to FIlm Victoria and Humble Games. But Simon Boxer's…
How does the Digital Games Offset fit into Australia's screen incentives?
Is a $500k minimum spend punishingly high? Is a 30% offset enough? What's different for film and TV? Game developers,…
Budget 2021: useful money and dangerous holes for the screen sector
The 2021-22 budget costs the tax rebate changes and provides useful piecemeal support to fix the Covid blow, but government…
Streaming Sector's War on Residual Incomes
Making a living is tough for creatives, but residuals can be a long term income source. Now the streaming companies…
Will Drag Race Down Under erase our ocker drag past?
Having been accused of mainstreaming drag, eliminating its subversive impetus, it will be intriguing to see how this slick show…
Bringing a new lens to arts coverage on the ABC: Namila Benson talks Art Works
The host of ABC TV’s new weekly arts program promises to be much more than just a talking head.
Hades’ Greg Kasavin breaks down Supergiant’s unique approach to narrative
‘It's nice having someone just notice and care that there was a small change about you, like a haircut or…
May streaming highlights: The Underground Railroad, Judas and the Black Messiah and Domina
Barry Jenkins adapts a Pulitzer Prizewinner, Australian classic Puberty Blues returns, more Handmaid's Tale, and Oscar-worthy biography Judas and the…