Digital
Europeans have streaming companies dead to rights
The international streamers would not be pleased with a quota to operate here - but they have already surrendered in…
AACTA 2019 - battle of the prodcos
Which production companies scored the most nominations across the board in this year's competition. Think bragging rights.
Unearthing Small Gems: VCA Digital Archive Opens to the Public
Every VCA graduation film since 1966 is now stored in digital form. A new exhibition showcases this treasure trove for…
What one horrible goose can teach us about investing in games
Untitled Goose Game is a runaway hit – but it could never have gotten off the ground without proper funding,…
Game Masters, National Film and Sound Archive (ACT)
ACMI’s popular interactive exhibition comes to Canberra, showcasing the diversity and creativity of games.
APSA challenges Queensland filmmakers with route to Asia
What does a working relationship with filmmakers from the Asia Pacific offer Australian filmmakers? APSA aims to open up the…
Small Screen Highlights: What we're watching
If our team is any indication the future is all online, from docuseries Rotten to Broad City, Fleabag, Vida, Russian…
Screen Forever is leaner and meaner as the screen world mutates
The Screen Forever program this year offers the drama of trying to be in two places at once in a…
Disney+: the full beast strides into the light
Disney+ releases almost the full list of its (US) debut content. Maybe it wll be just too musty to rule…
Australians fight to set up audio-visual royalties system in Asia
Asian countries are vigilant about music royalties but the screen sector is ignored. That may soon change,