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Channel Manager Tanya Orman invites all Australians to enjoy the Indigenous broadcaster's distinctive programming on this fraught national day.

Is it still possible to make breakthrough television in Australia? The 2020 new Australian shows on mainstream media can be classy, but we are short on visceral daring.

Set in the Gothic heartland of Tasmania, this murder mystery is yet to deliver on its supernatural teaser, says Mel Campbell.

Remember when the future was going to be a bright, shiny place full of optimism and hope? Me neither.

Here's what the Screenhub critics liked best this year. Catch up during the long summer binge.

Easy charm and subtle moments work better than broad comedy in this Stan Originals series.

We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2019.

From Dr Who to The Commons, Money Heist, the Riot Act podcast and more, here are the team's picks.

The Oscars runups continue with the Golden Globes, giving Blanchett and Kidman a familiar nudge.

eOne has a lot to say about the screen industry's key problem - how to do niche, nuanced, excellent and modestly budgeted?

First winners announced. More to come on Wednesday night with the televised ceremony.

Upright is such a developed and fully-formed work, writes Chris Boyd, it’s hard to believe it’s not an adaptation of a grand work.

The Stella-winning novel, inspired by Heide artists, will be a UK/Australian co-production between See Pictures and Apogee.

The holidays are coming around, and we're ready to kick back and relax. Let's look at what's on while you're off.

Politics seeps into everything this week, from dystopian drama to Briggs' music video and a fun little Donut game.

Witty, thoughtful, totally self-confident, a champion both of popular culture and serious criticism, a citizen of the world and a walking bag of us, Clive James has finally gone silent.

Matchbox Pictures has a grand gala night in New York.

Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a lot of attention.

As the sharks of Netflix and Disney+ circle, the Good Ship Aunty manages to repel boarders and somehow find new islands of audience, according to MD David Anderson.

A good grabby story is the common essential, but details are different when you're developing locally or internationally.