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Plucky NZ conference creates New World Order by going online
Here's the nitty gritty of running a market based conference online. Challenging, enraging and ultimately a boon, according to Doc…
What We're Watching: June
From record shops in Brooklyn to the court of a Russian Czar, to a dystopian carceral future, the office’s favourite…
Seven Deadly Sins of Social Media for Artists
There are a wealth of opportunities when it comes to growing your social media accounts, but what are the absolute…
Nick Robinson and Jon Shaw make wildlife documentaries for people who don't care – yet
'It’s all very well to say "we need the ocean to live", but I bet most people on the street…
Is your digital pivot sustainable as core programming?
How sticky is your new digital COVID programming, and will it make that secondary pivot back into your core programming…
Nerida Moore, Screen Australia’s Head of Development, on COVID impact
While the sector is frantic to start shooting, it is also relishing the chance to develop projects. How does that…
What's Streaming in June
Amazon Prime builds up its Aussie content, The Bold Type makes a fourth impression while Disney Plus looks inside one…
Warwick Thornton's big time-out at The Beach
An interview with the award-winning filmmaker about his very personal project. Part cooking show, documentary series and performance art, it…
Production Design: Scott Bird's steps to a satisfying career
Designers for the screen can have an anxious but ultimately satisfying time. This is what it looks like from the…
See-Saw reveals the inner workings which will take it into our unknown future
See-Saw has some sort of magic juice which keeps it getting better and better. It turns out to be made…
