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The first box office report in two months is here – and it's weird
Of all the the curveballs that 2020 has thrown the Australian film industry, 'Shrek' making the box office charts might…
Is your digital pivot sustainable as core programming?
How sticky is your new digital COVID programming, and will it make that secondary pivot back into your core programming…
Return of the humble drive-in
The revival of drive-ins counters isolation, drawing on the magic of cinema in the open air and pointing to a…
Nerida Moore, Screen Australia’s Head of Development, on COVID impact
While the sector is frantic to start shooting, it is also relishing the chance to develop projects. How does that…
Reconciliation is not only remembering, but advocating for change
To mark National Reconciliation Week #InThisTogether2020 we dive into our archive to share some of the meaningful conversations along the…
What's Streaming in June
Amazon Prime builds up its Aussie content, The Bold Type makes a fourth impression while Disney Plus looks inside one…
Production Design: Scott Bird's steps to a satisfying career
Designers for the screen can have an anxious but ultimately satisfying time. This is what it looks like from the…
Warwick Thornton's big time-out at The Beach
An interview with the award-winning filmmaker about his very personal project. Part cooking show, documentary series and performance art, it…
See-Saw reveals the inner workings which will take it into our unknown future
See-Saw has some sort of magic juice which keeps it getting better and better. It turns out to be made…
How has COVID-19 affected the Australian games industry?
Let's unpack IGEA's stats on the local impact of COVID-19, and what the future looks like for the Australian games…
