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Love this! Netflix wants your Two Thumbs Up and here's why
Like, love it, or hate it – Netflix's new feature is a means to collect all-important data on its subscribers'…
CODA deserved the Oscar as a tribute to its process
CODA is a 'fabulous celebration of difference' – David Tiley reflects on a lifetime of hearing impairment and how it…
JK Rowling betrayed us but I'll still watch Fantastic Beasts
Is it possible to reconcile the author's views on trans women with nostalgia for the Harry Potter universe?
Cabaret: revisiting Bob Fosse's radical musical at 50
The Kit Kat Klub first graced the silver screen half a century ago – what lessons can it teach us…
Box Office: Wyrmwood fights on as cinemas lick their wounds
The Aussie horror franchise joins Death on the Nile on the big screen, but total box office is probably around…
Hail John Williams, the composer behind E.T., Star Wars, Jaws and Harry Potter
When adjusted for inflation, one-fifth of the top 100 films at the North American box office have music by Williams.
How intersectionality can help screen storytellers
What is 'intersectionality'? Pearl Tan and Priya A. Roy explain the concept and how it can make for better stories…
Best, Worst and Most Bizarre film and TV of 2021, according to our critics
Highlights and lowlights from ScreenHub reviewers Mel Campbell, Anthony Morris, Glenn Dunks, Guy Davis and Chris Boyd. From The Worst…
Netflix Top Tens – a burst of honest figures
How do your tastes compare with the world? Netflix is releasing weekly top tens, with huge numbers. What do they…
Wong Kar Wai's School for Cool
'Love and Neon' is a dazzling retrospective of eleven films from the master of longing, loneliness and ephemeral ecstasy, says…
