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Bohemian Rhapsody DoP on his choice of lenses

It is almost impossible, unless you got all VR, to avoid the use of a lens. Their effects are things…

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Elephant stomps on traditional development practice

How will theatre company Back to Back adjust its joyful collective work to the sad disciplines of cinema development? They…

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CinefestOz bets on happiness

The CinefestOz finalists for 2019 were a pretty good batch, with a family film about joy and optimism comes through…

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Box Office: cautious release for Nightingale while Palm Beach and Danger Close wind down

Australian films hold their line but there are no charges to glory. Not even from the war film lovers.

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Black List scheme throws Oz writers into global deep end

The 2019 Australian script writing opportunity kicks off again, linking Black List, Warner Bros and WA company Veerhuis.

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Recutting films - a tangled story

Recuts are not just about director's versions. They have become a routine way of evolving the essence of a project.

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Queensland's woman of mystery goes to the dark side

Tracey Vieira's future after Screen Queensland is now assured as she joins the state's funkiest prodco with the mostest focus…

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Crack Hollywood before you leave home - here's one approach

Writers trying to open a door to Hollywood are offered support systems in many different shapes and sizes. Here's one…

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Big screen highlights: Australian Dream, Nightingale and Palm Beach

Other than Once Upon a Time In Hollywood, the filmscape is full of yes-but films which disappoint, or terrify, or…

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ICYMI: A wrap of this week’s arts news

Victoria lands Netflix’s Clickbait, Indigenous Jewellery Project holds survey exhibition, AGWA celebrates 40 years of brutalism, 2020 programs announced and…

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