Producer Todd Fellman: a career with international deals
Producer Todd Hellman makes footloose productions work, tried hard with China and is now making The Portable Door in Queensland,…
Netflix films look more like TV shows - here’s the technical reason why
Ari Mattes explores the visual differences between film recorded by high resolution sensors and film shot on celluloid.
Phantom Abyss is online multiplayer without the scheduling nightmare
Team WIBY's Ben Marrinan explains how they developed Phantom Abyss for a generation who treats games as a digital living…
Ambiguity, archives and the 80s: an interview with screenwriter Michael Lucas
The creator and producer of the ABC's new drama, The Newsreader, talks about his inspiration for the show and gives…
6 questions with ACMI prize-winning game developer Dan Ferguson
We talk to Melbourne game developer Daniel Ferguson about his cartoonish, kinetic games, winning the ACMI + RMIT prize, and…
ABC partners with Light Lab in Virtual Production ferment
The ABC uses Adelaide indie hothouse to learn virtual production, and gets a good feed too.
What does it take to be the Art Director on a huge MMORPG?
From artist to director, CJ Grebb tells us about his 20+ years in the world of game art.
Streaming Highlights for August on Netflix, ABC iview, Stan and Foxtel Now
Wentworth, The Newsreader, and Clickbait lead August's viewing highlights.
Politics from the female perspective: an interview with Annabel Crabb
The journalist and series creator talks about the making of Ms Represented, a powerful ABC documentary about women in politics.
Behind the pioneering animation of gaming's most beloved cinematic universe
The world of Overwatch is more than a game, it's a freely accessible Pixar-style animated universe. We chat to two…