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Hong Kong FILMART: door gods of the Asian industry

With Australian producers wary of a changing China market, the film market in Hong Kong is strengthening its role as…

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Film Review: Silvana, MQFF

Melbourne Queer Film Festival introduces us to the extraordinary Silvana Imam.

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Box Office 4 March 2019: audiences agree with critics on new releases

A modest hit from Oscar curiosity prevents the week from being a litany of indifference.

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How did our Oscar predictions turn out?

The Oscars 2019 are all over, but we put ourselves on the line as the obsession climaxed. How well did…

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'The Green Book win is both predictable and disheartening'

Oscar afficionado Grace Boschetti faces the reality of the Oscars - flawed, doomed, trite, fascinating and horridly predictable all at…

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Guild news - Fri 1 March 2019. Food for the inquisitive mind

Events - SPA, AWG, Editors Guild, Screenworks, Wide Angle, Directors Guild, Production Designers...

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Round the web - the holy art of cinematography, and its secrets

In our link collection for the week we avoided the Oscars and found some fabulous articles about cinematography. And the…

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Artist takes over abandoned art deco mansion

Real estate is said to be all about location, but maybe it is all about the art? Melbourne artist Rone…

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Film Review: Greta is a brisk psycho-stalker

In the age of Netflix bloat, Neil Jordan's latest is a refreshing breath of fresh air, with just enough surprise…

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Film Review: Vox Lux - A Disquieting Vibe

Natalie Portman sings Sia's songs in this boldly stylised and intellectually ambitious film about pop music.

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