Australian screen industry
Alone Australia is all about the struggle (to find a decent filming location)
The latest season of Alone Australia plonks contestants down in the middle of... Finland?
James J Robinson on First Light: ‘I think I processed all of my emotions through the film’
James J Robinson has traded the world of fashion photography for film, with a meditative debut feature about an elderly…
First Light review: a luminous reckoning with darkness
Award-winning Filipino-Australian director James J Robinson’s debut feature is astonishingly assured.
MIFF 2026: program, opening night & Bright Horizons films
The MIFF 2026 program features more than 300 screen works, and will open with a new feature from an Australian…
Frame by Frame review: Rachel Perkins interviews First Nations screen icons
Frame by Frame dives into the fascinating careers of some of our most influential First Nations actors and filmmakers.
Natalie Erika James on Saccharine: ‘Hopefully it makes other people see a part of themselves’
Melbourne-based writer and director Natalie Erika James talks to ScreenHub about her latest film, the freaky body horror tale Saccharine.
Obsession surpasses $25 million in Australia and New Zealand
Despite its small budget, Obsession is on track to become one of the highest-grossing horror films released in Australia and…
Aussie-made Avatar Aang: The Last Airbender releases in July
Continuing the original Avatar series, Avatar Aang: The Last Airbender is arriving much sooner than expected.
New support helps local TV creators succeed on the world stage
Future Vision Forward is a new eight-month program connecting local TV creators with international executives.
Does Spicks and Specks have a place on an ABC without music?
A lot has changed in the 20 years that Spicks and Specks has been on air.