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James Woolley and a decade of tumult at the Sydney Film Festival

Sydney Film Festival marketing head leaves a few reflections as he jets off to his new job at the world's…

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Chinese government beats industry into shape, seems to win

While the world screen industry wrestles with change, the Chinese sector is dancing with an octopus. And everyone is learning…

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Big Screen Highlights - Fest pleaser Animals arrives along with Italians galore

Palace's flagship Italian Film Festival is days away, Downton Abbey is calling the fans, and Animals, possibly an Australian bestie…

Features

How videogames can work towards a more accessible state of play

Redressing a tendency to marginalise disability in games requires an awareness of disability at a design level.

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TV Review: Ramy is must-see TV

Five months after its US premiere, Ramy – 'the best show not on Australian television' in Chris Boyd’s rarely humble…

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The Trespassers: From Page to Screen

Meg Mundell's latest novel has been picked up for a big TV adaptation. What does this mean for the writer…

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Animals director Sophie Hyde on character, rehearsal and bestie power

What happened when Sophie Hyde and Closer Productions ended up shooting a co-pro in Dublin? And why did the writer…

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Film Review: The Wild Top End is a 3D expedition worth taking

Nick Robinson's latest environmental documentary puts the iMax screen to stunning use as it celebrates the Australian landscape.

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Box Office 10 September: One big scary clown and some small Australian films

IT: Chapter Two goes out wide, The Nightingale sings quietly together with Angel of Mine, The Australian Dream, Danger Close…

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AACTA/AFI 2019 - decisions to make your head explode

A remarkable bunch of feature films are in competition this year, as teams wrestle with complexity, authenticity, sentiment and sheer…

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