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Data journalism: 'wreaking havoc with data is a much more creative sport'
Lam Thuy Vo is a crusading data journalist determined to show us how we can find and use hidden knowledge…
Miss Fisher and her fans: how a small screen heroine became a global phenomenon
From a novel published in 1989 to a global hit series and now a feature film, Kerry Greenwood's flapper detective…
3 Things The Government Must Do To Save Australian Content
Streaming services are on the rise, and the government must take action or risk losing local broadcasters. Here's how.
This is who I feel myself to be - tribal visions and digital technology
Lynette Wallworth, new technology pioneer, took an AIDC 2020 audience through her latest VR work, made with the Awavena people…
Wrestling the growing beast - AIDC panel on the problem of scale
If you want a series commission, you need to offer something remarkable. Three producers talk through challenging shows and alarming…
A Brief History of Invisibility in Film
Invisibility is divisive. Would it bring out the best in you, or bring out your darker urges? Marc Longenecker takes…
Gordon Quinn, producer and campaigner, finds the heart of verite for AIDC 2020
Is it skill, strength or virtue? Gordon Quinn, known as the Documentary Buddha, reveals some secrets about being him.
Why women should get the jobs (from the archives)
The executive behind Buffy The Vampire Slayer, Susan Cartsonis says giving women more film jobs makes financial sense.
Top 12 articles to empower women in the arts
We went back through the archives, here are our most read stories around empowering women in the arts and debunking…
Sarah Ferguson hybridises doc and current affairs at AIDC 2020
Key Four Corners journalist Sarah Ferguson confronts paedophile priests in a three-part 90-minute documentary series.
