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NFSA: making the collection matter in the world beyond screen
The National Film and Sound Archive is becoming a different beast. Who better to explain than the Chief Engagement Officer?…
Risky Business: New Assessment Tool released by SAFC
As COVID strikes, what do producers do if something goes terribly wrong? There's a way to work that out, started…
Sydney Film Festival discovers the virtues of virtual though real life is better
It worked, says the Sydney Film Festival of its COVID-19 Defiance Edition, and reveals the numbers to prove it.
The real cost of defunding the ABC
ABC funding cuts undervalue both the arts and contemporary stories in our multicultural Australia, argues Vyshnavee Wijekumar.
What We're Watching: Apocalypse in July
The second lockdown may have dampened the spirits of our Melbourne office, but it has had quite the opposite effect…
Veronica Fury resurrects Peter Brock for broad Australian audience
In Australia, making a film about a true blue motor racing hero will inevitably become an obsession. As Veronica Fury…
How artificial intelligence can save journalism
As the opportunities and burdens of digitally driven research grow, artificial intelligence becomes a tool in its own right.
Russel Howcroft's recipe for success: keep laughing and stay tough
Imbued with the spirit of competition, one of our favourite larrikins sees the fight over revenue and regulation in TV…
Why we need to stop waiting to be the next viral hit
Dreaming of being the next How to Dad? We give you tips on how to readjust your social media mindset.
Guillermo del Toro: how to create a cinematic genius
Guillermo del Toro is a true provocateur of the demonic unconscious, his mind awash with imaginary oceans, wise in the…