Australia
TV Review: Too Old to Die Young is a grandiose television event
Thirteen hours of Nicolas Winding Refn's neon vision may be too much for some, but Adrian Martin finds intrigue amidst…
Small Screen Highlights: Blue Water Empire, Fleabag, Pose and The Logies
The Hivemind roves far and wide this week from Torres Strait Islands to India, the 80s AIDs crisis and Pagan…
Cheap tricks, Gen Z and the television we deserve
Young media writer Grace Boschetti explores the misuse of Gen Z in series television, provoked by Euphoria.
Film Review: Parasite is satire at its most entertaining
Korean director Bong Joon-ho is a modern auteur with a wonderful popular touch. Mel Campbell celebrates his cinematic joys.
St Kilda nominations - 2018 meets wave of 2019
The Battle of Imaginations plays out across a hundred films. Will an established swag grow, or a new treasure glitter…
Audience Awards at Sydney Film Festival rarely stray far from home
Audience awards are statistically strange but certainly encapsulate loyalty.
Key emerging filmmaker events from Adelaide and Melbourne
On exactly the same weekend of July 27-28, AFTRS has partnered with two separate agencies in different states to focus…
New Minister Fletcher shows inclinations on quotas and content regs
Though the government is mostly silent on the content regulations debate, Paul Fletcher has his initial reactions on his website.
Box Office 24 June 2019 - family blockbusters overwhelm market
Top End Wedding won't go far beyond $5.1m which is way below the figures for a popular indigenous film of…
Netflix to ramp up policy war over regulation
The new Australian Netflix office is being talked up as a golden goose for producers, but the lobbyists think the…