Television
Museums: historians invade filmmaking, screen trade has identity crisis
"We don't consider film-making to be part of the Arts anymore. Film-making used to be for film-makers, now it's just…
Cannes 2013: in the jostling, Julie glides with customary aplomb
What does a Cannes veteran actually think about as she makes her way through the melee of Cannes 2013? Money,…
Last Dance: beats Gatsby in one crucial way
Will The Great Gatsby leave Cannes with a prize? No, unless there is some wrinkle we have not heard of.…
Gatsby: box office after international release
Climbing, climbing.. the figures for Gatsby defy the printed insults.
AIM to host inaugural TILT forum
Entertainment industry heavy-weights will tackle issues concerned with technological advancements in Sydney this year.
Cannes 2013: Gatsby dancing in the rain
The Great Gatsby opened the Cannes Festival, as Luhrmann controlled the narrative with his usual calculated aplomb through the press…
SPAA: mindsnatchers invade St Kilda Fest and Vivid
Knowing that emerging producers cluster around Vivid in Sydney and the St Kilda fest in Melbourne greedy for inspiration, SPAA…
DRM-free e-books show no piracy increase
A year after removing digital rights management from its books sci-fi publisher Tor made a surprising announcement.
American Psycho author takes axe to Glaad
Enfant terrible novelist Bret Easton Ellis calls out 'the gatekeepers of politically correct gayness'.
Seven Horrors in a Blue Box
The stalwarts of the European gothic tradition are returned home and given a revivifying jolt of cinematographic juice.