Film
Why are so many video games being adapted for film and TV?
Hollywood is being criticised for a lack of originality – so why are more video game movies being made than…
Screen Australia launches new report outlining where local film and TV funding comes from
Screen Australia aims to share a clear glimpse at funding opportunities for screen storytellers.
Silenced: Australian documentary gets first trailer ahead of cinema run
Silenced explores the weaponisation of defamation laws to silence women in cases of gender-based crime.
Moana (2026) review: treading in the footsteps of greatness
Moana's live-action adaptation is a lush spectacle, but one that doesn't quite measure up to its predecessor.
James J Robinson on First Light: ‘I think I processed all of my emotions through the film’
James J Robinson has traded the world of fashion photography for film, with a meditative debut feature about an elderly…
First Light review: a luminous reckoning with darkness
Award-winning Filipino-Australian director James J Robinson’s debut feature is astonishingly assured.
MIFF 2026: program, opening night & Bright Horizons films
The MIFF 2026 program features more than 300 screen works, and will open with a new feature from an Australian…
Saccharine review: freaky, fun body horror for the Ozempic era
A hungry ghost story, Saccharine takes a swing at our social media-driven dysphoria crisis.
Frame by Frame review: Rachel Perkins interviews First Nations screen icons
Frame by Frame dives into the fascinating careers of some of our most influential First Nations actors and filmmakers.
Natalie Erika James on Saccharine: ‘Hopefully it makes other people see a part of themselves’
Melbourne-based writer and director Natalie Erika James talks to ScreenHub about her latest film, the freaky body horror tale Saccharine.