Screen News Features

Richard Tognetti and Jennifer Peedom collaborate on unique concerts and a landmark documentary.

Warwick Thorton's We Don't Need a Map is really something - a major essay film that is funny and fresh and unpretentious.

In from day one, producer Melissa Kelly describes how Hounds of Love evolved and honoured its original vision. Will it stand the test of time?

The government's rhetoric is all about innovation, the future, and exports, so why aren't they supporting our acclaimed local industry?

Ruben Östlund, who won the Palm d'Or at Cannes this year, has a fascinating way of working with actors.

Senate Estimates misses good questions, diverts into minority party bizzaro, and pays homage to Antiques Roadshow.

From software IP to in-house creative development on international projects, Zareh Nalbandian inches forward like a steam engine in mud - patient but unstoppable.

Do you need to go to film school? Maybe not, but here's ten ways to turn your education into a creative screen career.

As Vimeo sends a curator to the St Kilda Film Festival, we track its recent surprising evolution into SVOD and original programming.

The frog has finally jumped out of the boiling pot and the growing crisis in kids' TV has gone public. The Greens are leading the charge.

An enquiry into content quotas, the end of the license fee, the abolition of the two out of three rule - it all adds up to the Saturday Shock as the budget looms.

Unable to create true reform from within, former Head of ABC TV calls for new government mechanisms to ensure ABC accountability to fundamental cultural policy.

The American Essentials festival doing the rounds through May is curated by Richard Sowada, as a challenge and a temptation to Australian filmmakers.

Arts organisations are ‘snow blind’ with demographic data that fails to explain what really makes audiences buy tickets. There is a smarter alternative.

How do the Best and Outstanding categories line up at the Logies? Which production companies triumphed? Why the unicycle?

In her film Cameraperson, Kirsten Johnson confronts the sequences that challenge her understanding of her craft, her morality and the human condition.

It’s your last chance for this weekend’s INTRO TO VR in Sydney, WRITING FOR TV (10 weeks, online) starting next week, and INTERNATIONAL MARKET STRATEGY in Melbourne next Thursday, presented by Screen Producers Australia (SPA) in conjunction with AFTRS.

Straddling the worlds of finance and social activism, Ian Darling has shaped theatre and art and changed the future of documentary.

The Adelaide Film Festival pulls another rabbit out of its synergistic hat with Hybrid World Adelaide, and a commitment to finance films for both a 2017 and 2018 festival.

Exhibition major Village Roadshow creates a new rewards program and reveals the changing logic of the modern cinema experience.