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Showing all news in Features
Under a ghastly policy response from an inert government, the sector is reinventing itself and in a good way.
Sarah Ward's top movie of the year range from a crowd-pleasing Hollywood new release through genre to independent Australian films
Big Bash cricket dominates the week, gives Ten the sweet smell of success. But just for a moment.
Leigh Whannell and James Wan are working back in Australia - at the opposite ends of the country and the budget spectrum too.
Working in multiple roles – for instance as a writer/actor/director/producer – is increasingly common but the multiple satisfactions come with equivalent challenges.
The distinction between the high art nude and the dark alley pornographer has been replaced by an appreciation of multicultural erotic art and porn as therapy.
Each year the AACTA's does an international competition, which helps to claim some attention as an Oscar predictor. Here is the list.
Oscar race gets glummer though hope springs eternal, while the broadcaster critics bring bandaids for Mel Gibson.
All that glitter for Hacksaw Ridge has translated into box office cash.
These schedules are a boon for the SVOD and OTT services. And SBS, which now has all of Midnight Sun on broadband for free.
What were the AACTAs like inside the room? Lyn Norfor leaves her production office long enough to tell all.
Superannuation fund Media Super invested over $100m of member's retirement funds in the scary business of film and television production. And done well.
Sundance was looking bare for a while for Australians, but has popped out a few pearlers to send some happy faces to Utah.
Revelations this week about the filming of The Last Tango in Paris raise broader issues for the ethics of hoodwinking actors to force them to 'feel not act'.
Time for some rat cunning by screen creatives looking for entertainment. Look hard at catch-up.
A book, film, or painting may be just the prescription you need to overcome anxiety, grief, depression, lethargy or ordinary unhappiness.
Sheer scale, age and traditional technique beat verve, cunning and fencing wire in a night which was strong on logic but short on fairytales.
The tenth annual APSA Awards in Brisbane crown a decade of bureaucratic uncertainty in a grand merry-go-round of sideways shuffles.
If a casting director needs to cast an able-bodied actor to play a disabled character much of the blame lies with drama schools.
Has the nation revolted against the appalling injustice meted out to The Menkoff Method? No.
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