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We look at some of the best games from Australia and New Zealand released in 2019 – there are plenty to choose from.
Let's have a look at screenhub's biggest stories of 2019: from the timely, to the timeless.
Kim Dalton, chair of the Asian Animation Summit, is helping to build relationships with our neighbouring screen sectors.
We’ve asked some of the leading podcast producers from The Guardian, Sisteria and RRR to share their favourite podcast picks of 2019.
The resurrection of dead performers to work again may be futuristic, but it still suffers from the age old problem of gender discrimination.
Opinions & Analysis
When editors judge each other, they really know what they are talking about. Here are the ASE winners for 2019.
Mark Montefiore of Letterkenny and Bad Blood has a unique mind and a feel for starting small and REALLY maximising value.
Intensely violent games = mayhem in the real world. Debunking an argument that will not go away.
The holidays are coming around, and we're ready to kick back and relax. Let's look at what's on while you're off.
Screenhub caught up with digital environment designer Su-Yiin Lai to talk about the speculative architecture, videogames, and working between disciplines.
Politics seeps into everything this week, from dystopian drama to Briggs' music video and a fun little Donut game.
In less than five years, Stan has spent $55m on Australian content, is making a profit and believes it has a headlock on the future. Here's how.
Diversity rules in musical styles, even between works by the same composer at the 2019 APRA AMCOS screen music awards.
Short, snackable, raw. Here are the takeaway bites on our plate this week.
The logical processes behind a fine trailer turn out to be a powerful development tool when a project is struggling to be born.
The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure.
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a lot of attention.
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has oversimplified cultural discussion and chased clicks over critiques.
A brand new Master Degree at UNSW Art & Design deep dives into Visualisation, Simulation and Immersive Design while smashing traditional divisions between digital and culture.
As the sharks of Netflix and Disney+ circle, the Good Ship Aunty manages to repel boarders and somehow find new islands of audience, according to MD David Anderson.
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