The Amplify Collective
![Still from Chi Tran’s film, ‘ The Sun Sets and Once Again the Earth is Upright’. Image: Courtesy the artists. Two women with dark long hair sitting near a river bank with their backs facing the viewer. They are leaning on each other.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/01/IMG_3906-e1704240480576.jpeg?w=310)
The Sun Sets and Once Again the Earth is Upright
Writer and filmmaker Chi Tran shares the collaborative process and vision behind her new short film.
![Still from short film 'Jia'. Image: Supplied. A white man stands on the left staring off into the distance, while an Asian woman stands beside him, smiling with hair flowing in the wind. They are both seen from the chest up and wearing black jackets.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2024/01/Jia_1.74.2-e1702940625594.jpg?w=310)
A director’s secret letter to his mother
Director Vee Shi says his short film 'Jia' is 'a letter to my mother. It encapsulates my deepest love for…
![Documentary. Image is a group of women in a small filming studio, with two sitting in chairs facing each other and another behind a film camera.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2023/11/399373134_18023106733789117_8048070073005530102_n-e1699922943702.jpg?w=310)
Documentary filmmaking classes for the Bold and Beautiful
A series of workshops specifically for women and gender diverse people aged over 40 exemplifies the agency of human involvement.
![Nakahira. image is black and white shot of two young people embracing on a yacht which is moored.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2023/11/61r39u0t7gL._AC_UF10001000_QL80_.jpg?w=310)
Film reviews: Flora on the Sand (1964) and Juvenile Jungle (1956)
The feature of a retrospective at the 2023 Japanese Film Festival, Kō Nakahira was a filmmaker who interrogated themes of…
![Sweet Juices. Image is of a dark bathroom with orange light coming through a slatted window. A woman of Asian appearance and long dark hair sits on the toilet looking despondent, while a bearded man in a striped apron stands in the bath looking at his phone.](https://www.screenhub.com.au/wp-content/uploads/sites/4/2023/10/IMG_3696-e1696464172641.jpeg?w=310)
Interview with the creatives behind Sweet Juices
In conversation with Sydney-based co-directors Will Suen and Sejon Im, and their irreverent and rumbustious short film, ‘Sweet Juices’.
![](https://www.screenhub.com.au/wp-content/uploads/sites/4/2023/09/GFF-Screening-1-May-2023.png?w=310)
The rise of South Australian film festivals
Emerging and diverse filmmakers in SA have more opportunities to show their work with the rise in local film festivals.
![](https://www.screenhub.com.au/wp-content/uploads/sites/4/2023/08/image-w1280-e1692243847291.jpg?w=310)
Little Blue review – Taiwan Film Festival in Australia
Lee Yi Fang's 'Little Blue' is a mediation on female desire through the dreamy lens of adolescence.
![](https://www.screenhub.com.au/wp-content/uploads/sites/4/2023/08/shutterstock_2239615843-e1688279306973.jpg?w=310)
Over 40 diverse writers join ArtsHub’s Amplify Collective
The Amplify Collective will platform talented writers from diverse and underrepresented backgrounds, enabling them to share their voices.
![](https://www.screenhub.com.au/wp-content/uploads/sites/4/2023/08/shutterstock_2005788131-e1688615150800.jpg?w=310)
What I’ve learned creating a Cultural Safety Document
Cultural safety is an ongoing commitment and it takes more than one person or document to get it right.
![](https://www.screenhub.com.au/wp-content/uploads/sites/4/2023/07/IMG_3482-e1689299381248.jpeg?w=310)
Exhibition review: Two Girls From Amoonguna, ACMI
‘Two Girls From Amoonguna’ is about pushing through adversity and alchemising it into art that speaks to the spirit and joy of life…