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Box Office - all the energy of a dead kipper
Green Book, The Favourite, Stan and Ollie, What Men Want, Wandering Earth - all have their lessons at the world…
Review: Alita Battle Angel
Decay, rebirth or both? Alita has a healthy audience, a certain youthful innocence and the contradictory energy of James Cameron…
Around the web 22 Feb 2019 - leading off with In Like Flynn
Lots of Netflix news, plus China complications, In Like Flynn interview, and Oscar scripts. And the future of AI.
Interview with Nic Wrathall, director of Undermined: Tales from the Kimberley
Fighting injustice and questioning the media are key drivers for this documentary filmmaker's latest work set in Australia's remote north…
Oscars - who do we think will win?
In a really wide open field, we risk Screenhub's reputation with some firm predictions. Will we be humiliated by Monday…
Berlinale 2019: Australian filmmakers go global to stay global
Soaked in the authentic gravity of German audiences on Potsdamerplatz, Sarah Ward assesses the Australian impact in 2019.
Producing for the Screen - initiating the emerging producer
Most producing handbooks are cures for insomnia. This one is lively, local and clear as it shares key information between…
Lambs of God honoured to open at Series Mania
Lambs of God, the new four-part drama from Australia’s Lingo Pictures, has been invited to screen in Official Competition at…
APSA sets 21 November 2019 as the night of Asia-Pacific nights
With a confirmed date to anchor November's schedule in Brisbane, APSA stops to celebrate the number of Oscar nominees who…
Review: Soderbergh's High Flying Bird has skin in the game
This Netflix feature shot on iPhone and set in the world of American basketball may baffle or intrigue.
