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ABC: Mad as Hell makes enemies Happy as Heaven
The back room people at the ABC load up hundreds of pieces every day. Then they make a single mistake…
Funding Enterprise: An Interview with Screen Australia's Nerida Moore
The agency's new(ish) Head of Development gives tips for applicants wanting a slice of the Enterprise Funding pie.
ICYMI: rounding up the week’s arts news
Next M Pavilion design unveiled, Melbourne Art Fair shifts gears again, NSW Shadow Arts Minister warns not to overlook Australian…
Film Review: The White Crow flies high
Ralph Fiennes' directs this Nureyev biopic with visceral vim, resisting the usual cliches about creativity and identity.
Film Review: The Lion King Faintly Roars
A stunning technical achievement, this photo-realistic Disney remake fails to convey the powerful emotions of the story.
TV Review: Lambs of God is perversely life-affirming
Eccentric nuns defend their way of life with devilish consequences, in Foxtel's new mini-series adaptation. Chris Boyd says it pays…
MIFF 2019: sessions for the screen community
Acting coach Miranda Harcourt, script consultant Bobette Buster and recent feature favourite Emma Booth lead the hunt for insights in…
Prototype: A utopian experiment for short films and video art
Critic and curator Lauren Carroll Harris is creating a new space for art on Australian screens.
Courtney Gibson to leave SAFC
Organisational and policy dynamo Courtney Gibson will leave a significant hole in the South Australian Film Corporation when she leaves…
The 52nd AWGIEs nominations are announced
The Australian Writers' Guild names the contenders for its annual celebration of good scripts and well-placed words.
