United States of America
A24's The Backrooms: what we know so far
The Backrooms started as an internet urban legend – and now it's destined for true cult status as an A24…
Talk to Me: A24 acquires Australian horror film
Talk to Me, directed by YouTube duo RackaRacka, recently impressed at Sundance and caught the eye of a major US…
Babylon review: a chaotic whirlwind of indulgent filler
A stacked cast and oodles of sumptuous visuals can't save Damien Chazelle's Babylon from a story so lacking.
Why is Austin Butler still speaking in his Elvis voice?
A little less conversation and a little more action may be needed for actor Austin Butler to overcome his 'role…
The Last of Us review: shuffling towards potential
The latest in ambitious video-game adaptations has its work cut out in making a mysterious, world-wide disease seem fresh and…
Dear Netflix: bring Glass Onion back to cinemas, you rapscallions
The sequel to 2019 hit Knives Out goes for the jugular of the unfathomably wealthy, and laughs maniacally while doing…
Interview with the Vampire is a queer tale about ... journalistic objectivity
When stories are told, the question of who controls the narrative is important – not least when it comes to…
Streaming: the 'clone shows' competing for eyeballs
For streamers – as with TV – making series that resemble other successful shows is too tempting to ignore.
Andor, Disney+ review: believe the hype, it's amazing
The prequel to 2016's Rogue One: A Star Wars Story offers nuanced, scathing allegories and masterful production design.
Bee and Puppycat: animation for adults that isn't ugly or crass
A whimsical show full of sweet, memorable characters and touching motifs about losing focus is exactly what some adults need.