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Killer frogs and the ultimate fang

How does top Hollywood creature design make the Life of Pi tiger real and the Avatar banshees so terrifyingly beautiful?

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My Brother the Devil

My Brother the Devil dissects the constitution of communities that spring up in the shadows of towering apartment blocks.

Features

Budget 2013: steady as it goes for federal agencies

While Screen Australia seems to have maintained its size surprisingly well since its inception, it joins AFTRS and the NFSA…

Features

Don Connelly: RIP as silence falls on a pioneer

Don Connelly has died at the age of 84. A sound recordist, he was a true link to the hard…

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WINTER SCHOOL THIS JUNE AND JULY @ AFTRS OPEN

This June and July AFTRS Open is running WINTER SCHOOL courses - intensive, hands- on workshops in the School’s state-of-the-art…

Features

Lumina: let's talk about the notion of collaboration

With Ted Hope, Mark Cousins, Blue-Tongue and the Spierigs on one side, and the wonderful rise of Indigenous filmmaking on…

Features

Baz Luhrmann: a nice bit of reflection, with a major error

Baz Luhrmann does a bit of a reflection on the early days and Strictly Ballroom, but as Ronin Films' Andrew…

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Tabu

Many films are laden with the label of "unique"; few actually earn it. This melancholic yet endearing tale of two…

Features

Brief: MPIBS, the friendliest caped crusader of them all

When Philip Hearnshaw passed away in 2012, his wife Catherine Griff received assistance from the Motion Picture Industry Benevolent Society…

Features

Fortissimo Films: global rights to Sue Brooks' film (and other Cannes excitement)

Fortissimo Films has acquired the global sales rights outside Australia and New Zealand to Driving Back From Dubbo, to be…

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