Features
AIMC 2013: touching the hem of the great, or almost great
The nation's exhibitors do not give awards to shoot unknown talent to instant fame. They like their heroes to tuck…
Beyond the Great Wall: Pathways to Australia-China co-production
Mario Andreacchio of AMPCO argues that many of the barriers to successful co-production with China are at the Australian end…
AIMC 2013: Awards spread glow to smaller exhibitors
While the major distributors at AIMC peddle major films to major exhibition chains in a hall of mirrors, the independent…
AIMC 2013: Is this your Zero Moment of Truth?
Forget FMOT and SMOT, the real decision point that drives our industry is the ZMOT, which waits to enslave us…
Ratings: Tuesday, 15th October 2013
Same old juggernaut, as Dancing with the Stars sets Seven up for another evening victory.
MIPCOM 2013: the Australian productions about Gallipoli
The trenches are going to get crowded as the centenary of Gallipoli approaches. Ratings could get very strange if the…
MIPCOM 2013: Matchbox in a nutshell through international eyes
Two years after NBCUniversal International acquired most of Matchbox, Chris Oliver-Taylor contemplates the slate, the role of Screen Australia in…
Brief: Patrick scores crucial North American deal
US and Canadian rights to Patrick have now been acquired by Phase 4 Films, in association with Uncorked Entertainment. Expect…
Brief: ADG Conference to interrogate Alex Proyas
Alex Proyas is happy to be controversial - as per his remarks about the failure to fund Paradise Lost. He…
Spectacle: Curating the moving image
An exhibition full of moving images can pose some unique challenges for a curator, but ACMI’s latest Spectacle conquers.