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Playpen: Morricone v Game of Thrones

Because loonies with a little knowledge do wonderful things..

Features

Which city has the best film festival?

Who has more films? Bigger audiences? Better curation? Important premieres? ArtsHub's guide to everything you need to know Australian film…

Features

Box Office: Sex doesn't always sell

This week's story is about trundling, as Australian films plod on through the afternoon sun, yarning to strangers...

Features

The Hollywood TV Carno-dance: insider Laurie Zaks on audiences, deals and the power of fear

Laurie Zaks has the power to bend minds in the ruthless carnage of US TV drama deals. How does she…

Features

Screen Forever: key names for 2014

More or less pinned down by meetings, SPA always has a lolly bag of overseas delegates for the market strand.…

Features

Screen Australia: change and not-change in the documentary debate

The funding tactics have changed in the evolving documentary guidelines, but the internal logic remains remarkably stable.

Features

Screen Queensland: local programs on a national stage

With contracts signed, Screen Queensland can settle into watching and waiting as its emerging practitioner solution gets under way

Features

Box Office: Infinite Man cast into finite future

Infinite Man is a time travel film. Do you think it has only one screening which is flicking back and…

Features

Tentpoles v The Rest: Boyhood, Captain America and the eternal child within

Boyhood or Captain America 2? What happens when we apply a bit of developmental psychology to the YA deluge in…

Features

David and Margaret: the future is unwritten

With the Stratton-Pomeranz combo leaving at the end of the year, the ABC is presented with a conundrum. What next?

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