Features
Force Majeure: a wonderful challenge to conventional methods
Force Majeure, running in cinemas at the moment, romps in long-take heaven, before the editing hell of life without cuts...
MIPCOM 2014: the frogs and the princes
The Palais dealers are crouching under an avalanche of content. Here's a brief rundown of the scale and prices.
MIPCOM 2014: roundup of Australian deals
We crave the ideas which make a difference, but Laszlo Kriston also pays careful attention to the enticing rustle of…
Screen Australia: destroys complete level of co-pro documentation
No more the Letter of Preliminary Compliance cries Graeme Mason to a London audience as he pushed his business message.
Whitlam: the power of inspiration
Attitudes to the arts were among the many things that changed under the leadership of Gough Whitlam, who died today…
Box Office: in the background of the Movie Convention, the sound of splatting
Son of a Gun is short of friendly neighbours, as we find some interesting comparisons and very divergent reviews.
MIPCOM 2014: tracking the Netflix monster, footprint by footprint
Tickled by a cerebral French moderator, Netflix's Ted Sarandon built a House of Hints about its global and Australian future.
Peter Greste: in his own words from prison
Peter Greste wrote a speech in prison, delivered on his behalf to the Frontline Club in London. Here it is...
3D: why are Australian audiences so grumpy about 3D?
Research into Australian attitudes to 3D identifies our audiences as some of the least positive about 3D in the developed…
MIPCOM 2014: 25 trends in the media business
New buyers on the block, the changing deal-making ecosystem, the (un)coolest content gimmicks. Everything you need to know about the…