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Features

3D: why are Australian audiences so grumpy about 3D?

Research into Australian attitudes to 3D identifies our audiences as some of the least positive about 3D in the developed…

Features

MIPCOM 2014: 25 trends in the media business

New buyers on the block, the changing deal-making ecosystem, the (un)coolest content gimmicks. Everything you need to know about the…

Features

MIPCOM 2014: Australian kid's content roundup

Our European correspondent assembles the Australian children's content on offer at MIP Jnr, and is impressed..

Features

MIPCOM 2014: James Murdoch pontificates

To James Murdoch, the 21st century is an IP owner's playground, in the same old moral vacuum.

Features

Box Office: inching forward, bowing to Gone Girl

The week ending 13 October 2014 will not go down as the moment when anyone in exhibition got suddenly rich.…

Features

Deluxe: cold logic behind the Heartbeat Fund

Alaric McAusland has committed Deluxe Australia to a clearer investment and sponsorship strategy. Vision in a Heartbeat.

Features

Children's TV: Tectonic shifts as grown-ups protect their inner child

Tough, uncertain times in chlldren's drama as the producers head to MIP Junior in the endless search for the finance…

Features

Piracy: shooting sparrows with a cannon

Sue McCreadie, serious purveyor of policy explanation, takes on the horrible task of simplifying the various positions. Hallelujah!

Features

Box Office: tatty spring with jewels in the growing corn

The Australian films now set a challenge - how to find the films we forgot to see before they blink…

Features

Transmedia: from Hollywood to Bogota, a voyage of transformation

Jeff Gomez, transmedia evangelist, has taken the notion from First World entertainment to Third World activism.

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