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Box Office 7 March 2016

The Oscars are not a great big tablet of joy for the pics that scored. We must be plum tuckered…

Features

AIDC 2016 - taking your format to the world

NZ producer Julie Christie has the financial proof that she is a quiet Queen of the indy format. Here is…

Features

AIDC 2016 - growing cinema audiences for documentary features

Cinema on demand is proving itself as the genie in the lamp for big screen documentary release, one leaping frog…

Features

AIDC 2016 - Oh My VOD!

From an international monster in training to our own cute little IView, here is a sketch map of the VOD…

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AIDC 2016 - Patchwork funding

International funding has driven growth in the documentary sector for a generation, but now it looks like a game of…

Features

What do Mad Max's six Oscars mean for the Australian film industry?

The answer to that question depends on how you think Dr George Miller fits into the Australian industry. Outlaw hero,…

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Screen Producers Australia - kitemark to calm combatants

Credits are a very important form of display for filmmakers, and SPA is trying to create a reliable system of…

Features

National ratings week of 29 Feb 2016 - the whole relentless grind

As usual Thursday looks ordinary as Nine snatches a win while the ABC will be happy but not delighted.

Features

Oscars 2016 - final notes from ScreenHub as Beavan triumphs

Technical triumph for Fury Road, in categories that don't figure in the main betting lists.

Features

AIDC 2016: Mason lays out Screen Australia's survival strategy in dark times

Graeme Mason’s keynote address to AIDC 2016 signals a major crystallisation in its approach as program cuts loom.

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