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Showing all news in Opinions & Analysis
Perth needs a distinctive cultural narrative that weaves together Aboriginal and European histories.
Opinions & Analysis
Our major performing arts organisations are Australian culture’s country clubs, sponsored by a matrix of old money and old-school networks and protected by the conservative government.
Artists don't make much money from Spotify, but that doesn't mean we should all follow Taylor Swift's lead and quit.
Humphrey Bower's attack on Australia Council's new structure is based on misunderstanding, argues the Council's CEO.
Following widespread reaction to the powerful contention that art should disturb not please, we publish Leysen's full speech.
As much art as science, the controversial Milgram and Stanford prison experiments on obedience to authority continue to inspire screen translations.
A Brit reality tv show turns Street Art into the latest ratings pawn with a Survivor meets The Archibald zeal.
Self-understanding often comes from looking outside the self, through the lens of a filmmaker or the eye of an artist.
Executive Director of Australian Society of Authors Angelo Loukakis debunks the hype that cash and copyright are bad for creatives.
Does Whiplash, the new film by American Damien Chazelle, glorify or denounce the behaviour of an obsessive teacher?
Creative arts offers skills business wants but entrepreneurial artists need to understand the differences to make the leap.
Arts managers are an important part of the sector but they are kidding themselves if they think they are artists.
Ideally we would have no need for festivals that promote women in film, as we would already give them the due time and respect.
On television and in crime fiction, dark Scandinavian dramas are the flavour of the month. But why have they got us hooked?
BrightHearts is a relaxation training app that translates changes in heart rate into a calming interactive art experiences.
Recent debate on The Conversation serves an opposition between print and online media, but online reviewing deserves a fair go.
When the consumer can delete at the push of a button royalties are drastically reduced and artistic worth is liquified.
An intermission is all that stands in the way of overseas films maximising their potential in the Indian sub-continent.
The arts sector needs to accept responsibility for the inequity on which its success is achieved and not blame it on government.
Becoming an artist can be a liberation, a catharsis, a source of meaning, life satisfaction or existential peace.
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