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Showing all news in Opinions & Analysis
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a lot of attention.
Opinions & Analysis
Global academics and advocates have responded to persistent gender bias in recent funding announcements with dismay. A collective letter with more than 200 signatures captures their frustrations.
The initial information about the new Self-Regulatory Code for the Subscription Video on Demand Industry in ASEAN did not have the actual wording. Here are the relevant passages.
NBCUniversal signs onto a self-regulatory approach to streaming in ASEAN countries, highlighting the rise of local control over values.
David Gulpilil is one of Australia's great actors. Here is an extract from his biography written by Derek Rielly.
Disney+ releases almost the full list of its (US) debut content. Maybe it wll be just too musty to rule the world.
All the major streaming providers are playing electronic chess to capture your gaze. Here is a glimpse of the ABC's game.
Following the damning findings of the Digital Platform Inquiry, Facebook is investing in local news media. This intervention could do more harm than good.
What happens when a battered significant film festival is taken over by the significant art gallery for the same city? Not bad at all says Sarah Ward.
Appealing to Australian values works for Ride Like a Girl, but the whole idea is a quiet cinematic battleground. The Conversation offers some thoughts on the legendary Hoges.
Nia Pericles reflects on the pain and joy of making a film about her mother's dementia. The film has been quietly gripping audiences on ABC iView.
Seph McKenna was a key executive at Roadshow Films when it distributed a truly Australian breakout. He says these films tell us a lot about what we really want to see.
While the UK tears itself to pieces, the BBC argues for a role which illuminates our own Australian dilemmas.
Danger Close raises provocative questions about the construction of a modern war film. Here's military scholar Tom Sears from the Australian Defence Forces Academy.
After a lot of grief to assemble its present structure, Create NSW takes a backward step to recreate Screen NSW.
The recent release of yet another extended cut of Apocalypse Now puts the vexed idea of the director's cut back onto the cultural agenda.
Artists with disability believe it is their right to be reviewed in the same way as abled artists; that the narrative should come from the quality of their work, not their disability.
It's a good week to rewrite history, with 'Once Upon a Time in Hollywood' and 'Mission Mangal' scoring big crowds.
While Australian film and television may be dominated by people of Anglo backgrounds, Jackie Bailey argues that we could be telling diaspora stories and finding bigger audiences.
The games unionisation movement is kicking off worldwide. So what's holding Australian game devs back?
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