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Showing all news in Features
At Games Connect Asia Pacific Conference, composer Meena Shamaly detailed his collaborative process of composing a score alongside First Nations musicians.
For the first time, Melbourne International Games Week has run completely online, and ACMI have stepped up to the plate with a downloadable showcase of personal games.
The writer, director and ADG President reflects on the stories we're going to need and the challenges facing the industry.
A sustainable Australian video game industry? Production rebates are a small, important step.
Using headset technology for the past decade, experimental media artist Jane Gauntlett shares her journey on fusing performance with technology to create n intimate experience about living with disability.
In two and a half years, Iris and Paul Anstey went from never having made a game, to having their dreamlike first title in PAX’s competitive indie showcase. How did they do it?
National Young Writers Festival is going online from 1-4 October, and their program delves deep into the possibilities that digital delivery offers.
Here's a rundown of Jobkeeper 2.0, and what the changes to the program might mean for sole traders.
This month the office reflects on productions that star the work of brilliant women, both on and off-screen.
For PAX online 2020, two reps from Film Vic sat down with devs from Untitled Goose Game, Frog Detective and Dead Static Drive to talk all things games funding.
We're spending more time than ever in front of screens and devices, so how do you wind back and stop comparing you life to others on social media?
The drone is transforming our lives much more than any other moving picture recording device, with heaven and hell on the same mount.
In this excerpt from her longer article, studio and creative director Lucy Morris details the emotional cost of launching Starcolt's debut game, Best Friend Forever.
Virtual production is an amazing toy for the big end of production, but a panel at Screen Makers sees wider opportunities.
Ten ways to be part of the future. Because the COVID hiatus will be history.
Created with the support of the City of Melbourne’s COVID-19 Arts Grants, ‘Neon Cyborg Cat Club’ is not a game so much as it is an algorithmic music performance.
Arts and science can make strange bedfellows but they could be the perfect combination to spread the message of a carbon neutral future. A new project in New Zealand is making that connection for the future.
Here are some fun and silly Australian multiplayer games to tide you over until Untitled Goose Game's multiplayer update on 23 September.
From crime families to chosen family, to recommendations from far away siblings, this month’s screen picks are shaped by the people we find ourselves connected to - whether we like them or not.
The dance of new passions that emerge from short films in a festival is a promise to the future. Here are two very different women filmmakers growing through luminous short films.
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