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Showing all news in Features
If you want a series commission, you need to offer something remarkable. Three producers talk through challenging shows and alarming risks.
Invisibility is divisive. Would it bring out the best in you, or bring out your darker urges? Marc Longenecker takes a deep dive into the history, and allure, of this superpower on film.
Is it skill, strength or virtue? Gordon Quinn, known as the Documentary Buddha, reveals some secrets about being him.
The executive behind Buffy The Vampire Slayer, Susan Cartsonis says giving women more film jobs makes financial sense.
We went back through the archives, here are our most read stories around empowering women in the arts and debunking gender disparity.
There's a lot to be said for a series sold to a large international provider in diverse media. Here is some of it.
What do you get when you combine old-world glam with international adventure? A box office hit.
Key Four Corners journalist Sarah Ferguson confronts paedophile priests in a three-part 90-minute documentary series.
Bringing Undertow to the cinemas is a ten year labour of love and patience. Producer Lyn Norfor takes us from development to the last financial obstacle.
Let's dive into what Amazon Prime, Disney+, Stan, and Netflix have in store for the third month of this utterly chaotic year.
Let's take a look at the films topping the box office this week, from stirring docos, to the usual dog and hedgehog show.
In this column, our office shares what they've been watching and listening to, from classics, to blockbusters, to off-the-wall favourites.
This week in the box office, an object lesson in the value of perseverance in the face of underwhelming beginnings.
Australian filmmakers have something for everyone, however swooning or cynical you might be feeling.
While we watch the culture warriors attack the ABC, the divisions in Britain are creating a toxic environment even at the audience level.
The answer will (probably not) shock you. Let's look at the weekend's numbers, in the wake of a very surprising Oscars ceremony.
Seeing reality cross over with sci fi in Stan's 'The Commons' was disturbing but not depressing for this apocalypse-shy viewer.
The funding body's online production fund recognises the significance of online platforms for screen creatives.
Let's take a look at what's coming to our small screens via Stan, ABC iview, Disney+, Netflix, and Amazon Prime this month.
Who knew films about men shooting things and blowing stuff up would draw crowds? It's time again to crunch the numbers at the box office.
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